本文選題：藝術(shù)意境 + 顯現(xiàn)�。� 參考：《東南大學(xué)》2005年博士論文

【摘要】： [內(nèi)容摘要]意境是古典文藝批評的核心范疇,在新時(shí)期已廣泛用于各藝術(shù)門類的鑒賞中。意境是我國語文賦予藝術(shù)美的特有的代名詞,是藝術(shù)之為藝術(shù)的證明。本文采用藝術(shù)學(xué)的視角,以“美的藝術(shù)”概念基礎(chǔ)上的藝術(shù)意境為研究對象,闡釋藝術(shù)意境的顯現(xiàn)與創(chuàng)生。 藝術(shù)意境顯現(xiàn)于藝術(shù)自律自足的形式中,這一認(rèn)識(shí)經(jīng)歷了一個(gè)過程�！懊赖乃囆g(shù)”概念的出現(xiàn)時(shí),說明人們已經(jīng)意識(shí)到藝術(shù)欣賞中有共同的美感。但由來已久的內(nèi)容與形式的分立,造成詩學(xué)中重視內(nèi)容,其它藝術(shù)門類則相對強(qiáng)調(diào)形式的局面。19世紀(jì)以來音樂美學(xué)界開始提出形式與內(nèi)容同一的藝術(shù)自律的理論,擴(kuò)展到包括文學(xué)在內(nèi)的各個(gè)藝術(shù)領(lǐng)域,才使各類藝術(shù)的共同的美獲得了立足點(diǎn)。孕育“意境”的中國古典詩論,也經(jīng)歷了從載道到審美、從重內(nèi)容到重形式的過程。藝術(shù)意境顯現(xiàn)于藝術(shù)作品存在形式的自律自足中,現(xiàn)代主義藝術(shù),從形式到“韻味”都與傳統(tǒng)大相徑庭,但形式的自律保證了藝術(shù)意境的存在。 藝術(shù)意境的創(chuàng)生是主體發(fā)揮能動(dòng)性的結(jié)果。主體對藝術(shù)意境的領(lǐng)略過程是獨(dú)一無二的,又是超然入化的。為了獲得這種超越自我的享受,主體需要虛靜澄懷,靜觀萬物,同時(shí)返觀自身,釋放身心,獲得自由。藝術(shù)意境的生成可以追溯到原始社會(huì),原始藝術(shù)滿足了原始人強(qiáng)烈的感情需求,使他們獲得藝術(shù)享受與精神解放,是藝術(shù)意境生發(fā)的源頭。
[Abstract]:Artistic conception is the core category of classical literary criticism, which has been widely used in the appreciation of all kinds of art in the new period.Artistic conception is a special synonym for artistic beauty given by Chinese language, and a proof of art as art.From the perspective of art, this paper takes the artistic conception based on the concept of "beautiful art" as the research object to explain the manifestation and creation of artistic conception.Artistic conception appears in the self-contained form of art self-discipline, which has experienced a process.The appearance of the concept of "art of beauty" shows that people have realized that there is a common sense of beauty in art appreciation.However, the long-standing separation of content and form has led to the emphasis on content in poetics, and the relative emphasis on form in other categories of art. Since the 19th century, the field of musical aesthetics has begun to put forward the theory of artistic self-discipline in which the form and content are the same.The common beauty of all kinds of art has gained a foothold only when it extends to various fields of art, including literature.The classical Chinese poetic theory, which is pregnant with artistic conception, has also experienced the process from Tao to aesthetics, from content to form.The artistic conception appears in the self-discipline self-sufficiency of the existence form of the art work. Modernism art, from form to "lasting appeal", is quite different from the tradition, but the self-discipline of the form guarantees the existence of the artistic conception.The creation of artistic conception is the result of the active role of the subject.The subject's experience of artistic conception is unique and transcendent.In order to obtain the enjoyment of transcending self, the subject needs to be calm and clear, to look back at itself, to release body and mind, and to obtain freedom at the same time.The formation of artistic conception can be traced back to the primitive society. Primitive art meets the strong emotional needs of primitive people and makes them obtain artistic enjoyment and spiritual liberation, which is the source of artistic conception.
【學(xué)位授予單位】：東南大學(xué)
【學(xué)位級(jí)別】：博士
【學(xué)位授予年份】：2005
【分類號(hào)】：J01

【引證文獻(xiàn)】

相關(guān)期刊論文 前1條

1 趙詠梅;吳楊;;試論影視藝術(shù)中的意境[J];作家;2010年04期

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本文編號(hào)：1767224