本文選題：立象以盡意　切入點：意象　出處：《文藝研究》2009年06期 　論文類型：期刊論文

【摘要】：正早在殷周之占筮與星象學中,先民們便形成了最初認識世界的思維模式,其中便有了"象"的雛形。"象"在中國文化中既可以指自然的物體形態(tài),同時也是一個哲學概念。"圣人立象以盡意,設卦以盡情偽"(《周易.系辭上》)。"象"的提出從一開始便具有宗教思維的抽象
[Abstract]:As early as in divination and astrology in Yin and Zhou dynasties, the ancestors formed the initial mode of thinking of understanding the world, in which there was the embryonic form of "elephant", which can refer to the natural object form in Chinese culture. At the same time, it is also a philosophical concept. "the sage set up the image to the best of his will, and set up the divinatory symbols to make the most of the bogus" ("Zhouyi"). From the very beginning, "Xiang" was presented with the abstract thinking of religion.
【作者單位】： 衡陽師范學院美術系;
【分類號】：J01

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