本文選題：藝術(shù)學(xué)　切入點(diǎn)：全球化　出處：《南京藝術(shù)學(xué)院學(xué)報(bào)(美術(shù)與設(shè)計(jì)版)》2014年03期 　論文類型：期刊論文

【摘要】：藝術(shù),既存在于實(shí)踐性的藝術(shù)活動(dòng)中,也存在于思想性的藝術(shù)理論中。作為創(chuàng)造性思維的實(shí)踐場(chǎng)域,藝術(shù)實(shí)現(xiàn)于全球化的歷史進(jìn)程中;藝術(shù)學(xué)是其中的理論表現(xiàn)。在全球化的語(yǔ)境中,從早期的"Kitsch文化"到二十世紀(jì)的"文化工業(yè)",直至今天文化產(chǎn)業(yè)的全面興起,是藝術(shù)的創(chuàng)新本質(zhì)得以凸顯的歷史條件;藝術(shù)的本質(zhì)在文化生產(chǎn)的工業(yè)化歷史進(jìn)程中才得以漸次顯現(xiàn)。藝術(shù)學(xué)研究要適應(yīng)以文化產(chǎn)業(yè)為時(shí)代特征的當(dāng)代文化發(fā)展的歷史趨向。
[Abstract]:Art exists not only in practical artistic activities but also in ideological art theory. As a practical field of creative thinking, art is realized in the historical process of globalization. In the context of globalization, from the early "Kitsch culture" to the "cultural industry" in 20th century, to the full rise of the cultural industry today, it is the historical condition that the creative essence of art can be highlighted. The essence of art is gradually revealed in the process of industrialization of cultural production, and the study of art should adapt to the historical trend of contemporary cultural development characterized by cultural industry.
【作者單位】： 臨沂大學(xué)傳播學(xué)研究中心;
【基金】：教育部人文社會(huì)科學(xué)研究規(guī)劃項(xiàng)目基金資助項(xiàng)目《圖像與藝術(shù)的關(guān)系及西方當(dāng)代圖畫理論(picture)研究》(12YJA760087)
【分類號(hào)】：J023

【參考文獻(xiàn)】

相關(guān)期刊論文 前3條

1 張法;;藝術(shù)學(xué)的六大討論焦點(diǎn)[J];文藝爭(zhēng)鳴;2010年12期

2 李s，

本文編號(hào)：1574916