本文關(guān)鍵詞： 古代藝術(shù)史研究 缺陷 藝術(shù)考古學(xué) 發(fā)展方向　出處：《南京藝術(shù)學(xué)院學(xué)報(bào)(美術(shù)與設(shè)計(jì)版)》2010年01期 　論文類型：期刊論文

【摘要】：中國古代藝術(shù)史的研究由于時代的局限性,在20世紀(jì)80年代以前主要從事的是以傳世的中國古代書畫藝術(shù)品及其藝術(shù)文獻(xiàn)為研究對象的工作,造成了藝術(shù)史研究過程中只重形而上的書畫藝術(shù)品、孤立研究藝術(shù)作品及其作者等缺陷。中國藝術(shù)考古學(xué)理論和實(shí)踐的開展,田野考古調(diào)查和發(fā)掘出土的古代藝術(shù)品的不斷涌現(xiàn),不但彌補(bǔ)了藝術(shù)史研究對象的不足,而且為藝術(shù)史研究提供了新的研究對象和研究方法,更為中國古代藝術(shù)史研究的發(fā)展指明了方向。
[Abstract]:Due to the limitations of the times, the research on the history of ancient Chinese art mainly engaged in the work of studying the ancient Chinese calligraphy and painting works and their art documents before 1980s. In the process of art history research, only metaphysical calligraphy and painting works of art have been emphasized, and art works and their authors have been studied in isolation, etc. The development of the theory and practice of Chinese archeology, The incessant emergence of ancient works of art unearthed through field archaeological investigation not only makes up for the deficiency of the research objects of art history, but also provides a new research object and method for the study of art history. Moreover, the development of the study of ancient Chinese art history has pointed out the direction.
【作者單位】： 東南大學(xué)藝術(shù)學(xué)院;
【分類號】：J120.9

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