本文關(guān)鍵詞： 文學(xué)史 期待視野 審美經(jīng)驗(yàn) 對(duì)話　出處：《新疆大學(xué)》2005年碩士論文　論文類型：學(xué)位論文

【摘要】：接受理論誕生于二十世紀(jì)六十年代末。自誕生以來(lái),就在國(guó)際上產(chǎn)生重大影響,成為當(dāng)今世界文學(xué)理論中的一個(gè)重要流派。作為接受理論的主要?jiǎng)?chuàng)始人和重要理論家,姚斯在西方文論領(lǐng)域做出了重要貢獻(xiàn),他所倡導(dǎo)的接受理論實(shí)現(xiàn)了西方文論的第二次轉(zhuǎn)向。本論文就試圖對(duì)他的思想做較集中較全面的討論。 本論文由六部分組成。第一部分介紹了姚斯的學(xué)術(shù)思想歷程,目的在于突出他的接受理論的發(fā)展脈絡(luò)。第二部分著重探討了姚斯提出的以讀者為中心的文學(xué)研究范式。姚斯主張文學(xué)研究的重點(diǎn)是讀者,讀者是文學(xué)活動(dòng)中的能動(dòng)主體,他們發(fā)揮著舉足輕重的作用。讀者決定了作品的意義,藝術(shù)作品的本質(zhì)在于讀者的接受。這一部分為他建構(gòu)新的文學(xué)史做了鋪墊。第三部分詳細(xì)闡述了姚斯的文學(xué)史理論。他批判了以往的文學(xué)史觀,注重讀者的期待視野和文學(xué)閱讀實(shí)踐,指出文學(xué)史是讀者接受的歷史。他認(rèn)為對(duì)于接受史應(yīng)從歷時(shí)性與共時(shí)性兩方面來(lái)建構(gòu),并把文學(xué)史與“一般歷史”結(jié)合了起來(lái)。第四部分論述了姚斯對(duì)審美經(jīng)驗(yàn)的看法。姚斯強(qiáng)調(diào)審美經(jīng)驗(yàn)在文學(xué)接受活動(dòng)中的重要作用。審美經(jīng)驗(yàn)的基本感受是愉悅,要從審美經(jīng)驗(yàn)的創(chuàng)造、美覺和凈化三個(gè)方面把握審美經(jīng)驗(yàn)的特征。第五部分是姚斯對(duì)交流問題的看法。作為一種開放性的理論,姚斯逐步將接受理論發(fā)展成為一種對(duì)話和交流的理論。作者——作品——讀者之間不是一種僵化、被動(dòng)的影響關(guān)系,而是始終處于一種平等對(duì)話、交流互動(dòng)的狀態(tài)。最后,本論文從整體上指出姚斯接受理論的創(chuàng)新和突破,以及其中相對(duì)不完善的地方�！�
[Abstract]:The reception theory was born in the end of 1960s. Since its birth, it has great influence in the world, become an important genre in the world literary theory. As the main founder of reception theory and an important theorist, Jauss in western literary field has made important contributions to the implementation of second time, accept the theory of western literary theory to what he advocated. This thesis attempts to do a more comprehensive discussion focused on his mind.
This thesis consists of six parts. The first part introduces the academic thought course Jauss, aims to highlight his acceptance of development theory. The second part focuses on Jauss proposed by the reader centered paradigm in literary research, literature research. Key claims Yao is the reader, the reader is an active subject in literary activities and they play a decisive role. The reader determines the meaning of the works, the essence of art lies in the acceptance of readers. This part is constructing his new literary history to do the groundwork. The third part elaborates Jauss's theory of literary history. He criticized the previous literary history, focusing on the reader's horizon of expectation and literature reading practice, points out that the history of literature is the reader of history. He believes that for Shi Yingcong diachronic and synchronic two aspects to construct, and the history of literature and the "general history" with the . the fourth part discusses the view of Jauss aesthetic experience. Jauss emphasized the aesthetic experience in the important role of literary reception activities. The basic feeling of aesthetic experience is pleasant, from the aesthetic experience of the creation, aisthesis and purification characteristics of three aspects to grasp the aesthetic experience. The fifth part is the exchange of views on Jauss the problem. As an open theory, Jauss will gradually accept theory as a dialogue and communication theory. The author works - readers is not a rigid relationship between passive, but always in a state of equal dialogue and interaction. Finally, this paper points out that on the whole Jauss accepted the theory of innovation and breakthrough, and the relative improvement.

【學(xué)位授予單位】：新疆大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2005
【分類號(hào)】：I0

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前5條

1 單雅嬌;《京華煙云》的文化回譯研究[D];上海外國(guó)語(yǔ)大學(xué);2010年

2 許炯;光暈消失：洛麗塔小說(shuō)形象與視覺化形象比較[D];湖南師范大學(xué);2011年

3 肖艷波;從讀者期待視野看林紓《黑奴吁天錄》的翻譯[D];中南大學(xué);2010年

4 李威;文本接受與再創(chuàng)作[D];黑龍江大學(xué);2010年

5 謝曉茵;論接受美學(xué)中的類型視野[D];福建師范大學(xué);2012年

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本文編號(hào)：1463479