發(fā)布時(shí)間：2018-01-24 23:49

  本文關(guān)鍵詞： 勢 文學(xué) 形式 語言 意象　出處：《山東師范大學(xué)》2004年碩士論文　論文類型：學(xué)位論文

【摘要】：勢是中國古代哲學(xué)、美學(xué)和藝術(shù)領(lǐng)域中的重要范疇之一。當(dāng)前學(xué)術(shù)界對(duì)勢的研究論著已經(jīng)很多，但主要的研究集中在哲學(xué)領(lǐng)域。對(duì)作為藝術(shù)美學(xué)范疇存在的勢的研究相對(duì)薄弱，對(duì)文學(xué)之勢涉及很少。已有的對(duì)文學(xué)之勢的論述，存在著明顯的不足�；旧习褎莓�(dāng)作一個(gè)已然的概念運(yùn)用，缺乏深入的探討，而且對(duì)文學(xué)之勢的特征仍停留在描述的層面上。本文的中心就是結(jié)合中國古代文學(xué)創(chuàng)作的實(shí)踐和理論把勢這一范疇闡釋清楚。以求某種程度上彌補(bǔ)當(dāng)前學(xué)術(shù)界對(duì)勢的研究中的薄弱之處。 一、導(dǎo)言。對(duì)當(dāng)前學(xué)術(shù)界對(duì)勢的研究的實(shí)際情況做出基本的評(píng)價(jià)，由此引出本文所要研究的問題。先進(jìn)行大文化的分析，從中國古代獨(dú)特的哲學(xué)文化背景出發(fā)，探討勢的內(nèi)涵和社會(huì)思想文化生成機(jī)制。再從文學(xué)創(chuàng)作和理論實(shí)際出發(fā)探討勢在文學(xué)藝術(shù)中的顯現(xiàn)機(jī)制和具體的表現(xiàn)形態(tài)等問題。 二、正文。本文分四個(gè)部分進(jìn)行探討。 (一) 勢的內(nèi)涵及文化闡釋。從勢這一思想的淵源出發(fā)，由社會(huì)政治領(lǐng)域中的勢的內(nèi)涵引申到文學(xué)藝術(shù)之勢的內(nèi)涵，把勢為何物確切得弄明白。并進(jìn)一步從形式結(jié)構(gòu)因素、哲學(xué)文化背景和心理思維等三個(gè)方面分析勢為什么在中國古代這一文化背景中產(chǎn)生。為下文的進(jìn)一步分析作鋪墊。 (二) 從非文學(xué)之勢到文學(xué)之勢。勢從哲學(xué)社會(huì)領(lǐng)域過渡到美學(xué)藝術(shù)領(lǐng)域中，，最先是從書法和繪畫開始的，這部分的中心就是分析勢是如何從書法繪畫等藝術(shù)門類轉(zhuǎn)化為一個(gè)文學(xué)理論范疇的。文學(xué)之勢區(qū)別于書法繪畫之勢的關(guān)鍵在于形式和語言的差異。文學(xué)借助語言表現(xiàn)勢，達(dá)到書法、繪畫等視覺藝術(shù)在勢的表現(xiàn)上訴諸于形式的共同機(jī)制。 (三) 文學(xué)之勢的存在形態(tài)、審美特征及現(xiàn)代闡釋。這是本文的中心。首先，以文學(xué)之勢的歷史存在形態(tài)為主，兼顧其邏輯形態(tài)，來探討其在古代的存在事實(shí)。其次，探討文學(xué)之勢對(duì)語言、結(jié)構(gòu)和意象的處理以及勢的時(shí)空表現(xiàn)等問題。最后，結(jié)合現(xiàn)代格式塔理論對(duì)勢做出現(xiàn)代的闡釋，以彌補(bǔ)中國古代文論存在的含混、模糊的缺陷。 (四) 文學(xué)之勢的價(jià)值。在古代文學(xué)創(chuàng)作的實(shí)踐和理論發(fā)展中，文學(xué)之勢的 中文擂名卜 價(jià)值主要表現(xiàn)在它規(guī)范文學(xué)的語言形式和藝術(shù)風(fēng)格。隨著文學(xué)藝術(shù)的發(fā)展，勢的 表現(xiàn)發(fā)生了擅變，這符合了文化和文學(xué)實(shí)際的發(fā)展，并在當(dāng)代具有了發(fā)展的可能 性和價(jià)值。 總之，通過以上的分析最大可能的把文學(xué)之勢的內(nèi)涵、存在形態(tài)、顯現(xiàn)機(jī)制 等問題闡釋明白。
[Abstract]:Potential is one of the important categories in the field of philosophy, aesthetics and art in ancient China. But the main research is focused on the field of philosophy. The study of the potential as the category of art aesthetics is relatively weak, and there are few references to the trend of literature. There are obvious shortcomings. Basically regard the potential as an already used concept, lack of in-depth discussion. The core of this paper is to expound the category of potential in the light of the practice and theory of ancient Chinese literature creation, in order to make up for the current academic circle to some extent. Weaknesses in the study of potential. First, introduction. To make a basic evaluation of the actual situation of the current academic research on the potential, which leads to the problems to be studied in this paper. From the ancient Chinese unique philosophical and cultural background. This paper probes into the connotation of potential and the forming mechanism of social ideology and culture, and then from the perspective of literary creation and theoretical practice, probes into the manifestation mechanism and concrete forms of expression of potential in literature and art. Second, the text. This paper is divided into four parts to discuss. (1) the connotation of potential and its cultural interpretation. From the origin of the thought of potential, the connotation of potential in the field of social politics is extended to the connotation of the trend of literature and art. Understand exactly what the potential is and go further from the formal structure factor. The philosophical cultural background and the psychological thinking are the three aspects of the analysis of why this cultural background of ancient China emerged, which lays the groundwork for further analysis below. (2) from the tendency of non-literature to the trend of literature, the tendency from the field of philosophy and society to the field of aesthetics and art begins with calligraphy and painting. The center of this part is to analyze how the trend is transformed from calligraphy and painting into a category of literary theory. The key to the difference between literary potential and calligraphy and painting lies in the difference between form and language. Literature relies on language. Performance. To achieve calligraphy, painting and other visual arts in the performance of the situation resort to the form of a common mechanism. (3) the existence form, aesthetic characteristic and modern explanation of literature's potential. This is the center of this paper. To explore its existence in ancient facts. Secondly, to explore the potential of literature on language, structure and image, as well as the space-time performance of potential and other issues. Finally, combined with modern Gestalt theory to make a modern interpretation of potential. In order to make up for the ancient Chinese literary theory of ambiguity, fuzzy defects. (4) the value of literary power. In the practice and theoretical development of ancient literary creation, the tendency of literature The name of the Chinese trumpet The value is mainly manifested in its standard language form and artistic style of literature. With the development of literature and art, Performance has changed, which is in line with the actual development of culture and literature, and has the possibility of development in the contemporary era. Sex and value In a word, through the above analysis, the intension, the form of existence, and the mechanism of manifestation of literary tendency are most likely to be put forward. To explain the problem clearly.
【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2004
【分類號(hào)】：I0

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