本文關鍵詞： 學術隨筆 吳曉東 現(xiàn)代文學 一本 語言學角度 八十年代 何其芳 歷史小說 文學比較 文本內(nèi)部 　出處：《讀書》2014年08期 　論文類型：期刊論文

【摘要】：正當看到《文學性的命運》時,"命運"這么沉重的話題讓我以為這可能是一本較艱深的著作。閱讀時才發(fā)現(xiàn)相當一部分是學術隨筆:帶個人體溫的文字,有著作者獨特的視角和個人化經(jīng)驗,同時又不乏嚴謹而審慎的學理,從中可以看出吳曉東對文學過往與現(xiàn)實的精微體察;從體例上看這或許是作者的有意追求,因為即便是對于同樣的問題,如現(xiàn)代文學與風景的發(fā)現(xiàn),作者選錄的也是《孤獨的人才能發(fā)現(xiàn)風景》、《擬像的風景》等更富個人化的文字,而非《郁達夫與中國現(xiàn)代"風景的發(fā)現(xiàn)"》,這類在筆者看來無疑更為"專業(yè)"
[Abstract]:Just as I saw the Literary Destiny, the heavy topic of Destiny made me think it might be a more difficult book. When I read it, I found out that quite a few were academic essays: words with personal body temperature. With the author's unique perspective and personal experience, and at the same time, there is no lack of rigorous and prudent academic theory, from which we can see Wu Xiaodong's fine understanding of the literary past and reality; In style, this may be the author's deliberate pursuit, for even for the same problems, such as the discovery of modern literature and landscape, the author chooses "the lonely man to discover the landscape." More individualized words such as "simulated scenery", rather than "Yu Dafu and the Discovery of Landscape in Modern China", which undoubtedly seem to me to be more "professional".
【分類號】：I0
【正文快照】： 當看到《文學性的命運》時,“命運”這么沉重的話題讓我以為這可能是一本較艱深的著作。閱讀時才發(fā)現(xiàn)相當一部分是學術隨筆:帶個人體溫的文字,有著作者獨特的視角和個人化經(jīng)驗,同時又不乏嚴謹而審慎的學理,從中可以看出吳曉東對文學過往與現(xiàn)實的精微體察;從體例上看這或許是作

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