本文關(guān)鍵詞：詹姆遜后現(xiàn)代主義文化批評(píng)理論述評(píng)　出處：《江西師范大學(xué)》2004年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 詹姆遜 后現(xiàn)代主義 文化形態(tài) 后現(xiàn)代主義文化批評(píng) 中國的后現(xiàn)代主義

【摘要】：詹姆遜的后現(xiàn)代主義理論內(nèi)容豐富，并隨時(shí)間的推移而不斷發(fā)展，在世界范圍有著廣泛而深刻的影響。本文在吸取其他學(xué)者研究成果的基礎(chǔ)上從以下幾個(gè)方面對(duì)詹姆遜的后現(xiàn)代主義文化批評(píng)理論進(jìn)行了梳理和評(píng)述：一、對(duì)詹姆遜的思想理論發(fā)展歷程做了梳理，從總體上把握其理論概貌及其形成過程；二、對(duì)詹姆遜的三種文化形態(tài)理論進(jìn)行梳理，分析他是如何把文化上的現(xiàn)實(shí)主義、現(xiàn)代主義和后現(xiàn)代主義分別對(duì)應(yīng)于資本主義發(fā)展的三個(gè)階段——市場資本主義、壟斷資本主義和晚期資本主義的；三、從文學(xué)領(lǐng)域觀照詹姆遜的后現(xiàn)代主義文化批評(píng)理論。詹姆遜認(rèn)為后現(xiàn)代主義文化的特征是要消解一切意義、價(jià)值、深度，走向平面化，這些特征在文學(xué)領(lǐng)域就表現(xiàn)為“后現(xiàn)代文學(xué)的‘無深度感’”、“后現(xiàn)代文學(xué)創(chuàng)作中的拼湊法”、“后現(xiàn)代文學(xué)的‘精神分裂’式語言”；四、探討詹姆遜后現(xiàn)代主義文化批評(píng)理論產(chǎn)生的語境，即從政治、文化的角度分析他的后現(xiàn)代主義文化批評(píng)理論產(chǎn)生的條件；五、簡單論述詹姆遜的后現(xiàn)代主義文化批評(píng)理論對(duì)中國的影響，從外因和內(nèi)因兩方面分析中國學(xué)者對(duì)后現(xiàn)代主義文化批評(píng)理論接受的原因；六、對(duì)詹姆遜的后現(xiàn)代主義文化批評(píng)理論進(jìn)行簡要評(píng)述。文章認(rèn)為，詹姆遜的后現(xiàn)代主義文化批評(píng)理論的出發(fā)點(diǎn)是對(duì)美國后期資本主義社會(huì)文化的反思和批判，，其根本指導(dǎo)思想是馬克思主義，他始終堅(jiān)持的是馬克思主義的批評(píng)立場，致力于對(duì)馬克思主義的當(dāng)代闡釋。
[Abstract]:Jameson's postmodernism theory is rich in content and develops with time. On the basis of other scholars' research results, this paper reviews Jameson's postmodernist cultural criticism theory from the following aspects: 1. The development course of Jameson's thought and theory is combed in order to grasp the general outline of his theory and its forming process. Second, combing Jameson's theory of three kinds of cultural forms and analyzing how he puts cultural realism. Modernism and postmodernism correspond to the three stages of capitalism development: market capitalism, monopoly capitalism and late capitalism. Thirdly, to study Jameson's theory of post-modernism culture criticism from the literary field. Jameson thinks that the characteristic of post-modernism culture is to eliminate all meaning, value, depth and go to plane. These characteristics in the field of literature are "the sense of no depth of postmodern literature", "the patchwork in the creation of postmodern literature" and "the split language of post-modern literature". Fourth, discuss the context of Jameson's postmodernism culture criticism theory, that is, analyze the condition of his postmodernism culture criticism theory from the angle of politics and culture; Fifthly, it briefly discusses the influence of Jameson's postmodernism cultural criticism theory on China, and analyzes the reasons for Chinese scholars' acceptance of postmodernism cultural criticism theory from external and internal causes. Sixth, a brief review of Jameson's theory of post-modernism cultural criticism. This paper holds that Jameson's postmodernism cultural criticism theory is based on the reflection and criticism of the later capitalist social culture in the United States. His basic guiding ideology is Marxism. He always adheres to the Marxist critical position and devotes himself to the contemporary interpretation of Marxism.
【學(xué)位授予單位】：江西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2004
【分類號(hào)】：I06

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前5條

1 曾喜云;論詹姆遜對(duì)結(jié)構(gòu)主義的闡述[D];福建師范大學(xué);2010年

2 張彩云;試論詹姆遜的“馬克思主義”[D];福建師范大學(xué);2010年

3 吳歧范;“雅”、“俗”界限的消弭[D];首都師范大學(xué);2007年

4 王偉;詹姆遜形式理論探析[D];福建師范大學(xué);2008年

5 王小麗;詹姆遜主導(dǎo)文化理論研究[D];黑龍江大學(xué);2010年

本文編號(hào)：1440518