本文關(guān)鍵詞：試析藝術(shù)家的自畫像　出處：《湖南師范大學(xué)》2004年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 藝術(shù)家 自畫像 生命之愛 藝術(shù)之愛 生命力 時(shí)代感應(yīng)力 第三只眼

【摘要】：本文著重探討了藝術(shù)家的自畫像這種特殊的肖像藝術(shù)形式。采取了具體個(gè)案與時(shí)代背景相結(jié)合的方式，以自畫像創(chuàng)作的心理動(dòng)機(jī)和創(chuàng)作過程，即自畫像的創(chuàng)作機(jī)制為切入點(diǎn)，闡析了自畫像的發(fā)展，，及在人文傳統(tǒng)中發(fā)展而來的自畫像的基本特征，即它的人本性特征；然后以具體個(gè)案與時(shí)代背景相結(jié)合的方式分析了自畫像的基本功能即“描繪”；以個(gè)案分析的方式闡明了自畫像的特殊功能與作用，即它是藝術(shù)家認(rèn)識自我的手段與方式；然后通過中、外藝術(shù)家的不同案例，闡明自畫像是藝術(shù)家之間互相交談、尋覓知音的特殊方式；接著以中國藝術(shù)家的具體個(gè)案與時(shí)代背景相結(jié)合的方式，闡明了自畫像在當(dāng)今時(shí)代的特殊功能與作用，它是藝術(shù)家與外部環(huán)境的對話方式，是藝術(shù)家參與社會(huì)批評與評論活動(dòng)的一種手段與方式。最后論述了自畫像是充滿著生命和獨(dú)特魅力的一種藝術(shù)形式，強(qiáng)調(diào)它所具有的人本性特征，即它體現(xiàn)了藝術(shù)家對人類群體和人類社會(huì)的關(guān)愛。 在文章的最后部分以徐悲鴻先生的教學(xué)實(shí)踐為例，指出了自畫像在今天的教學(xué)中的作用，并強(qiáng)調(diào)了自畫像在藝術(shù)創(chuàng)作中的作用與重要性。 文章通過對藝術(shù)家的自畫像進(jìn)行縱、橫兩個(gè)方面的分析，最后得出結(jié)論：藝術(shù)家的自畫像是藝術(shù)家生命之愛與藝術(shù)之愛的結(jié)晶，也是藝術(shù)家關(guān)愛自身與人類的“第三只眼”。
[Abstract]:This paper focuses on the artist's self-portrait, a special form of portrait art. It takes the specific cases and the background of the times to combine the psychological motivation and the creative process of the self-portrait creation. That is, the creation mechanism of self-portrait as the breakthrough point, the development of self-portrait, and the development of self-portrait in the humanistic tradition, the basic characteristics of self-portrait, that is, its human nature characteristics; Then it analyzes the basic function of the self-portrait, that is, "description", by combining the concrete case with the background of the times. This paper expounds the special function and function of self-portrait in the way of case study, that is, it is the means and way for artists to know themselves. Then through the different cases of Chinese and foreign artists, it is explained that self-portrait is a special way for the artists to talk to each other and seek for their confidants. Then, by combining the specific cases of Chinese artists with the background of the times, this paper expounds the special functions and functions of self-portraits in the present era, which is the way of dialogue between artists and the external environment. It is a means and way for artists to participate in social criticism and criticism. Finally, it discusses that self-portrait is an artistic form full of life and unique charm, and emphasizes its human nature. That is, it reflects the artist's care for human groups and human society. In the last part of the article, taking Xu Beihong's teaching practice as an example, the author points out the role of self-portrait in today's teaching, and emphasizes the function and importance of self-portrait in artistic creation. Through the vertical and horizontal analysis of the artist's self-portrait, the paper draws the conclusion that the artist's self-portrait is the crystallization of the artist's love of life and the love of art. It is also the third eye for artists to care for themselves and human beings.
【學(xué)位授予單位】：湖南師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2004
【分類號】：J0

【引證文獻(xiàn)】

相關(guān)期刊論文 前1條

1 徐青;;自畫像的心理呈現(xiàn)在藝術(shù)中的表現(xiàn)[J];美術(shù)教育研究;2013年05期

相關(guān)博士學(xué)位論文 前1條

1 張細(xì)珍;中國當(dāng)代小說中的藝術(shù)家形象研究（1978-2012）[D];首都師范大學(xué);2013年

相關(guān)碩士學(xué)位論文 前3條

1 田笑蕾;自畫像中自我意識與創(chuàng)作的探索[D];哈爾濱師范大學(xué);2011年

2 常雷;它映射出什么西方繪畫中“鏡子”的意義[D];南京藝術(shù)學(xué)院;2007年

3 張娜;鏡中之像—西方自畫像現(xiàn)象分析[D];山東師范大學(xué);2013年

本文編號：1410757