中國音樂審美中的味覺通感
發(fā)布時間:2019-03-28 12:47
【摘要】:由于各自不同的哲學基礎與文化背景,中西美學對照下的味覺地位亦迥異有別。相對西方的"唯耳眼論",中國人的音樂審美心理中有著相對更為重視味覺感知的傳統(tǒng),味覺在審美情感中具有特殊的表現(xiàn)作用。不同的味覺偏好與審美主體的性格、音樂審美的取向之間也有著一定的對應性。
[Abstract]:Due to their different philosophical basis and cultural background, the taste status under the contrast between Chinese and Western aesthetics is quite different. Compared with the western theory of "ear-only eyes", Chinese people's musical aesthetic psychology has a tradition of paying more attention to taste perception, which plays a special role in aesthetic emotion. There is a certain correspondence between different taste preferences, the personality of aesthetic subjects, and the orientation of musical aesthetics.
【作者單位】: 安徽師范大學音樂學院;南京藝術學院音樂學院;
【分類號】:J601
[Abstract]:Due to their different philosophical basis and cultural background, the taste status under the contrast between Chinese and Western aesthetics is quite different. Compared with the western theory of "ear-only eyes", Chinese people's musical aesthetic psychology has a tradition of paying more attention to taste perception, which plays a special role in aesthetic emotion. There is a certain correspondence between different taste preferences, the personality of aesthetic subjects, and the orientation of musical aesthetics.
【作者單位】: 安徽師范大學音樂學院;南京藝術學院音樂學院;
【分類號】:J601
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