【摘要】： 在浩如煙海的音樂(lè)作品中，幻想曲是一種比較常見且非常獨(dú)特的的音樂(lè)體裁。從它產(chǎn)生以來(lái)直到現(xiàn)代，它一直被許多作曲家和樂(lè)迷創(chuàng)作并喜愛(ài)。筆者因?yàn)樵谧约簩I(yè)學(xué)習(xí)的過(guò)程中接觸并演奏了肖邦的幻想曲，對(duì)幻想曲產(chǎn)生了濃厚的興趣和思考，并想通過(guò)自己的努力對(duì)幻想曲的產(chǎn)生發(fā)展、特色分類等做一些深入的研究。因幻想曲在發(fā)展的過(guò)程中產(chǎn)生的曲目和形式較為繁多，許多樂(lè)器都有幻想曲作品，因此在本文中，筆者將主要對(duì)鋼琴幻想曲(準(zhǔn)確地說(shuō)是鍵盤樂(lè)器的幻想曲，因較早時(shí)期的鍵盤樂(lè)器和現(xiàn)代鋼琴的關(guān)系密不可分，且作品基本相通)做為主要的研究對(duì)象。在本文中，筆者將主要對(duì)從巴洛克時(shí)期到近現(xiàn)代時(shí)期的鍵盤幻想曲的歷史做一番整理。一共分為“幻想曲的形成與發(fā)展、幻想曲的分類、幻想曲的主要特點(diǎn)三個(gè)部分做論述，并分別對(duì)四個(gè)不同的時(shí)期幻想曲的形成、演變、發(fā)展類型及特點(diǎn)加以研究探討，對(duì)主要作曲家以及曲目做一回顧與歸納，，希望借由本文的研究，能夠?qū)孟肭懈钊�、�?xì)致的總結(jié)以及更深層的認(rèn)識(shí)。
[Abstract]:Among the numerous musical works, Fantasia is a very common and unique musical genre. It has been created and loved by many composers and music fans since its inception until the modern era. Because I have come into contact with and played Chopin's Fantasia in the course of my professional study, I have had a strong interest and thought about Fantasia, and I want to do some deep research on the production and development of Fantasia and the classification of its characteristics through my own efforts. In this paper, the author will focus on the piano Fantasia (or, to be exact, the Fantasia of keyboard instruments), because there are many kinds of melodies and forms produced in the process of the development of Fantasia, many musical instruments have Fantasia works, so in this paper, the author will focus on the piano Fantasia (to be exact, the Fantasia of keyboard instruments. Because of the close relationship between keyboard instrument and modern piano in the early period, and the works are basically the same) as the main research object. In this paper, I will mainly sort out the history of keyboard fancies from Baroque to modern times. It is divided into three parts: the formation and development of Fantasia, the classification of Fantasia, the main characteristics of Fantasia, and the formation, evolution, development types and characteristics of Fantasia in four different periods. By reviewing and summarizing the main composers and the repertoire, we hope that through the research of this paper, we can have a deeper, more detailed summary and deeper understanding of the Fantasia.
【學(xué)位授予單位】：西安音樂(lè)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2007
【分類號(hào)】：J624.1

【共引文獻(xiàn)】

相關(guān)期刊論文 前1條

1 孟丹;巴赫知多少[J];人民音樂(lè);2000年11期

相關(guān)碩士學(xué)位論文 前5條

1 武寧;音詩(shī)繪峽灣[D];山東師范大學(xué);2006年

2 張蕾;圣—�！兜谌√崆賲f(xié)奏曲》音樂(lè)學(xué)分析[D];西北師范大學(xué);2007年

3 王婷婷;沁人芬芳、雅俗共賞[D];東北師范大學(xué);2007年

4 孔Z

本文編號(hào)：2220282