本文關(guān)鍵詞： 江南民歌 特征 旋律形態(tài) 曲式結(jié)構(gòu) 形成 發(fā)展 保護　出處：《西北民族大學(xué)》2008年碩士論文　論文類型：學(xué)位論文

【摘要】： 江南民歌是一種純美質(zhì)樸的民族民間藝術(shù),體現(xiàn)了古老民間文化的現(xiàn)代價值。本文首先概述了江南民歌的歷史因素、區(qū)域特點與現(xiàn)狀,論述了江南民歌的語言、聲調(diào)、曲調(diào)、色彩、歌詞、演唱、審美等基本特征;從江南民歌的旋律形態(tài)、曲式結(jié)構(gòu)、調(diào)式變化等方面進行了分析研究,從生產(chǎn)力發(fā)展水平、環(huán)境成因、生態(tài)環(huán)境、社會環(huán)境等各種因素對文化藝術(shù)性的影響方面討論了其成因,并從發(fā)展的角度看其文化內(nèi)涵與現(xiàn)時代精神的融合,從歷史文化的保護角度闡述如何延續(xù)和保護江南民歌。 縱觀當(dāng)前對江南民歌的研究情況可以發(fā)現(xiàn),隨著對吳歌研究的深入發(fā)展完善,對江南民歌的研究也逐漸深入,在許多方面也取得了令人滿意的成果。江南民歌具有以民族五聲調(diào)式為其骨干的一般特征;在城鎮(zhèn)居多的江南,平衡結(jié)構(gòu)的歌謠體更為多見;江南民歌還具有它獨有的特殊性;吳語的柔軟、聲調(diào)的起伏,形成了它多用級進,注重四聲的運用,特別是仄聲方面的處理等風(fēng)格;在旋法上,江南民歌喜用潤腔,旋律線委婉曲折,音調(diào)柔軟細膩。隨著時代的發(fā)展變化和不斷前進,繼承和創(chuàng)新、吸收與借鑒、融合性與時代性是將其發(fā)揚光大的根本。 江南民歌優(yōu)秀的風(fēng)格和特色是建立在深厚的理論基礎(chǔ)上,研究江南民歌特色對挖掘傳統(tǒng)音樂理論有著重要意義。
[Abstract]:The folk song of Jiangnan is a pure and simple national folk art , which embodies the modern value of the ancient folk culture . This article firstly summarizes the historical factors , regional characteristics and the present situation of the folk songs in Jiangnan , discusses the causes of the influence of the factors such as the language , tone , tune , color , lyrics , singing and aesthetic appreciation of the folk songs of the Yangtze River . From the perspective of development , the author discusses how to extend and protect the folk songs of Jiangxi from the perspective of development . On the basis of the present study of the folk songs in Jiangnan , the study of the folk songs in the south of the Yangtze River has been gradually deepened , and the study of the folk songs in the south of the Yangtze River has gained satisfactory results in many ways . The folk songs in the south of the Yangtze River have its own particularity ; the folk songs in the south of the Yangtze River have its own particularity ; the folk songs in the south of the Yangtze River have its own particularity ; the folk songs in the south of the Yangtze River have its own particularity ; the folk songs in the south of the Yangtze River have its own particularity ; and the folk songs in the south of the Yangtze River have the unique particularity . In the spinning method , the folk songs in the Yangtze River are soft and smooth , and the tone is soft and exquisite . With the development of the times and the continuous progress , the inheritance and innovation , the absorption and reference , the fusion and the times are the fundamental to which it is to be developed . The excellent style and characteristic of the folk songs in Jiangnan is based on the deep theoretical foundation , and the study of the folk songs in the south of the Yangtze River is of great significance to the excavation of traditional music theory .

【學(xué)位授予單位】：西北民族大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2008
【分類號】：J607

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