本文選題：贊美詩 + 巴黎音樂學院　； 參考：《人民音樂》2017年10期

【摘要】：正從20世紀初起,喬治·埃內斯庫(George Enescu,1881—1955)在羅馬尼亞和法國首都越來越受歡迎,并獲得大家真誠的欣賞。當時他年僅24歲(1905年),已經小有名氣,在費利克斯·魏因加特納(Felix Weingartner)指揮的音樂會中擔任獨奏,加布里埃爾·福雷(Gabriel Fauré)彈奏鋼琴與其合作。他還是巴黎音樂學院的考試評委之一。當時的音樂家圈子懷著濃厚的興趣聆聽他那深深植根于民族血脈之中的音樂,他的音樂也引起大家的討論,似乎其音樂的引導維度從羅馬尼亞音樂文化轉向了更高的普世精神層面。1860年,喬治·埃內斯庫似乎把最多的精力放在了吹管
[Abstract]:Since the beginning of the 20th century, George Ernescun George Enescun (1881-1955) has become increasingly popular in the Romanian and French capitals and received sincere appreciation. At the age of 24 (1905), he was already a minor soloist at a concert conducted by Felix Weingartnerner, and Gabriel Faur 茅 played the piano in collaboration with him. He is also one of the judges of the Paris Conservatory of Music. The circle of musicians at that time listened with great interest to his music, which was deeply rooted in the blood of the nation, and his music also aroused discussion. It seems that the guiding dimension of his music has shifted from Romanian music culture to a higher universal spiritual level. In 1860, George Ernesco seemed to have focused most of his energy on blowing tubes
【作者單位】： 羅馬尼亞加勒斯特國立音樂大學研究和國際關系部;中央音樂學院出版社;
【分類號】：J614

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