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“古苗疆走廊”上的漢傳音樂文化敘事

發(fā)布時間:2018-05-07 01:17

  本文選題:走廊 + 苗疆; 參考:《人民音樂》2017年10期


【摘要】:正近年來,關(guān)于"古苗疆走廊"多有討論,作為"走廊學"的一個組成部分,學者們從概念的提出,到歷史演進、制度、市場、教育、文化以及西南地區(qū)非漢族群的"國家化""內(nèi)地化"、族群性、區(qū)域性等內(nèi)涵,再到這一走廊在當下"一帶一路"海外文化走廊視角下的現(xiàn)實意義等等均作出了卓有成效的學術(shù)探討。(1)龍曄生曾談到:"這條走廊從一開始就是在國家先軍事后政治再文化等外力介入下,以驛道為中心,在文化上形成既有族群多樣性,又具有地域共性,并在沿線保留了歷史積淀的、呈帶狀相連的區(qū)域。"(2)筆者以為,如果說國家軍事、政治治理開辟和穩(wěn)固了"走廊一線"的話,那么,真正使當?shù)胤菨h族群由
[Abstract]:In recent years, there has been much discussion about the "Ancient Miao Jiang Corridor". As an integral part of "Corridor Studies," scholars have moved from the concept to the historical evolution, institution, market, and education. Culture and the connotation of "nationalization", "inland", ethnicity and regionalization of non-Han groups in southwest China, And then this corridor, from the perspective of the current "Belt and Road" overseas Cultural Corridor, and so on, has made a fruitful academic discussion.) long Yisheng once said, "this corridor has been in the country before military affairs from the beginning. Under the intervention of external forces, such as governance and re-culture, Taking the stageway as the center, both ethnic diversity and geographical commonality have been formed in the culture, and the historical accumulation along the route has been preserved in the form of a zigzag contiguous region. "(2) the author thinks that if we say that the state is military, If political governance opens up and stabilizes the "corridor line", then, it really makes the local non-Han people from
【作者單位】: 湖南第一師范學院;
【分類號】:J607
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本文編號:1854752

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