本文選題：板胡藝術(shù)　切入點(diǎn)：發(fā)展　出處：《吉林藝術(shù)學(xué)院》2017年碩士論文

【摘要】：板胡,由奚琴演變而來(lái),梆子戲曲音樂(lè)的興盛,帶動(dòng)了板胡藝術(shù)的發(fā)展。新中國(guó)成立后,板胡從“幕后”走到“臺(tái)前”,發(fā)展成為獨(dú)奏樂(lè)器。從此板胡藝術(shù)發(fā)展逐步興盛,在早期板胡藝術(shù)工作者們的帶領(lǐng)下,板胡藝術(shù)發(fā)展越來(lái)越多樣化、規(guī)范化�，F(xiàn)如今,中國(guó)社會(huì)經(jīng)濟(jì)快速發(fā)展,全球化帶動(dòng)了文化藝術(shù)的交流,藝術(shù)領(lǐng)域呈現(xiàn)出“百花盛開(kāi)”的大好景象。在這樣一個(gè)發(fā)展環(huán)境下,人們的審美需求和審美眼光也發(fā)生著改變。中國(guó)傳統(tǒng)音樂(lè)藝術(shù)遭到了一定程度的冷落,板胡這個(gè)土生土長(zhǎng)的藝術(shù)也正在淡出音樂(lè)的舞臺(tái)。板胡藝術(shù)的再發(fā)展,傳承至關(guān)重要�，F(xiàn)如今,板胡教學(xué)體制不健全、師資隊(duì)伍不夠豐富、專業(yè)學(xué)生招生名額有限等問(wèn)題,制約了板胡藝術(shù)的再發(fā)展。同時(shí),板胡專業(yè)作品的創(chuàng)作數(shù)量還是有限,缺乏優(yōu)秀的作曲家創(chuàng)作優(yōu)秀的作品。而且板胡內(nèi)部矛盾嚴(yán)重,地域性影響下的板胡缺乏交流。板胡的發(fā)展需要注入新鮮的血液,也需要新的思維。本文第一部分,筆者結(jié)合自身所學(xué)知識(shí),對(duì)板胡發(fā)展歷程做了簡(jiǎn)單梳理,從而推斷板胡藝術(shù)發(fā)展興盛是必然的,符合歷史發(fā)展規(guī)律。第二部分,對(duì)板胡藝術(shù)發(fā)展現(xiàn)狀進(jìn)行了分析,從內(nèi)因和外因兩個(gè)方面分析板胡藝術(shù)發(fā)展存在的問(wèn)題,并對(duì)板胡發(fā)展的前景做出思考。第三部分,筆者通過(guò)第二部分板胡藝術(shù)發(fā)展現(xiàn)狀的分析看到目前板胡發(fā)展存在的問(wèn)題并總結(jié)得出個(gè)人看法。
[Abstract]:Banhu, evolved from Xi Qin, the prosperity of opera music in Bangzi, led to the development of Banhu art. After the founding of New China, Banhu moved from "behind the scenes" to "in front of the stage" and developed into a solo instrument. From then on, the artistic development of Banhu gradually flourished. Under the leadership of the early Banhu artists, the development of Banhu art has become more and more diversified and standardized. Nowadays, with the rapid development of China's social economy, globalization has led to the exchange of culture and art. In such a developing environment, people's aesthetic needs and aesthetic vision have also changed. Chinese traditional music art has been neglected to a certain extent. Banhu, a native art, is also fading out of the stage of music. The re-development of Banhu art is of vital importance. Nowadays, Banhu's teaching system is not perfect, its teaching staff is not rich enough, and the number of students enrolled in major students is limited, and so on. Restricted the development of Banhu art. At the same time, the number of Banhu professional works is still limited, the lack of excellent composers to create excellent works, and Banhu internal contradictions are serious. The development of Banhu needs fresh blood and new thinking. In the first part of this paper, the author combs the development course of Banhu by combining with his own knowledge. It is inferred that the development of Banhu art is inevitable and consistent with the law of historical development. The second part analyzes the present situation of Banhu art development, and analyzes the problems existing in the development of Banhu art from internal and external causes. The third part, the author through the second part of Banhu art development status analysis to see the current problems of Banhu development and summed up personal views.
【學(xué)位授予單位】：吉林藝術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J632.22

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