本文關(guān)鍵詞： 《千章掃》 《金色的夢》 琵琶獨奏曲 創(chuàng)作群體　出處：《上海音樂學(xué)院》2016年碩士論文　論文類型：學(xué)位論文

【摘要】：二十世紀(jì)以來,琵琶演奏藝術(shù)有了飛躍的發(fā)展。大批優(yōu)秀的演奏家開始登上國際舞臺,更多專業(yè)作曲家也參與到琵琶音樂的創(chuàng)作中,同時又帶動了演奏家們對與琵琶音樂語匯的不斷探索和創(chuàng)新的熱情。本文以作曲家羅永輝先生創(chuàng)作的《千章掃》和琵琶演奏家劉德海先生創(chuàng)作的《金色的夢》為例,通過對兩個作品創(chuàng)作背景的介紹、創(chuàng)作與演奏技法的分析,試論當(dāng)代兩種不同身份的作曲家在琵琶獨奏曲創(chuàng)作中的藝術(shù)特色。
[Abstract]:Since 20th century, the art of pipa performance has developed by leaps and bounds. A large number of outstanding performers began to mount the international stage, more professional composers also participated in the creation of pipa music. At the same time, it brings along the enthusiasm of the players to explore and innovate the vocabularies of pipa music. This article is based on the works of "A thousand chapters" by composer Luo Yonghui and the "Golden Dream" by Mr. Liu Dehai, a pipa player. ... Through the introduction of the background of the two works and the analysis of the creation and performance techniques, this paper tries to discuss the artistic characteristics of two contemporary composers of different identities in the creation of the pipa solo.
【學(xué)位授予單位】：上海音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2016
【分類號】：J632.33
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本文編號：1474222