本文關(guān)鍵詞：也說“戲劇”與“戲曲”——讀王國維戲曲論著札記，由筆耕文化傳播整理發(fā)布。

1.

There is always a kind of value judgment hiding behind any subjective action, and the publication of opus is no exception.

任何主觀行為背后都隱藏著一種價值判斷，戲曲刊刻印行自然也不例外。

2.

The Research on "Three Selected Volumes of South FuJian Opera and Music Published in the Ming Dynasty" Rhyme;

《明刊閩南戲曲弦管選本三種》用韻研究

3.

New Insights into the Play “Zhou Zhuangzi Tan Kulou” Published In Ming Dynasty;

明刊戲曲散出《周莊子嘆骷骸》新探

4.

A Pragmatic Study on Deliberate Misinterpretation in English Drama Dialogues;

英語戲劇對白中刻意曲解的語用研究

5.

Reproduction and Representation: the Drama Sculpture of Dongyang Woodcarving;

再現(xiàn)與表現(xiàn):東陽木雕之戲曲雕刻研究

6.

On the Progress in the Achievement of Ming-dynasty Plays through Comparison between Yuan-dynasty and Ming-dynasty Block -printed Edition Yuan Poetic Dramas;

從元雜劇元明刊本之比較論明代戲曲的進步

7.

The two collections of drama, Ci Lin Yi Zhi and Ba Neng Zou Jin, were not published and distributed in the first year of Wanli.

《詞林一枝》與《八能奏錦》這兩部戲曲選集，并非刊行于萬歷元年。

8.

Funetions of Opera Literature on Opera Studies Based on the Analysis of Qu Lv

從《曲律》看戲曲文獻對戲曲研究的功用

9.

Stylized Movement in the Traditional Chinese Opera and the Personality of the Character--On the Performing Art of the Traditional Chinese Opera;

戲曲程式與人物性格——戲曲表演藝術(shù)談

10.

The Development of Opera Music during the Song-Yuan period and Ming-Qing period;

宋元戲曲音樂與明清戲曲音樂之發(fā)展

11.

Models for "Dramatization"and"Modernization"in the Current Dramatic Works;

當(dāng)代戲曲“戲曲化”與“現(xiàn)代化”的范例

12.

China Drama's Development Prospect from Drama Development History

從戲曲發(fā)展史看中國戲曲的發(fā)展前景

13.

The Research on the Development of Play-within-a-play in Chinese Classical Dramas;

中國古典戲曲中“戲中戲”的發(fā)展研究

14.

Documentation Value of Opera Scripts and "Script-based Approach to Opera Studies"

戲曲劇本的文獻價值與“以戲證戲”

15.

Xiju" and "Xiqu"--Reading Commentary about Wang Guo-wei s Works;

也說“戲劇”與“戲曲”——讀王國維戲曲論著札記

16.

Reconsiderations of the Features of Traditional Opera;

戲曲特征再認識——質(zhì)疑《中國大百科全書·戲曲·曲藝》卷概論《中國戲曲》

17.

Opera, Drama and Traditional Chinese Drama-Second Analysis of Wang Guowei s “Opera” Theory;

戲曲·戲劇·中國民族戲劇——王國維“戲曲”理論的再解讀

18.

The Artistic Spirit and Modernization of the Chinese Traditional Opera: An Exploration of Zhang Geng’s Aesthetics;

戲曲藝術(shù)精神與戲曲現(xiàn)代化——張庚戲曲美學(xué)思想初探

  本文關(guān)鍵詞：也說“戲劇”與“戲曲”——讀王國維戲曲論著札記，由筆耕文化傳播整理發(fā)布。