【摘要】：重唱是歌劇中重要的表現(xiàn)手段,常出現(xiàn)在敘事和強烈矛盾沖突的部分,是在同一時間對不同人物的性格及心理活動進行深入的描繪與刻畫,是音樂性與戲劇性相結(jié)合的重要創(chuàng)作手法。筆者參與了國家大劇院原創(chuàng)歌劇《駱駝祥子》從鋼琴作業(yè)到戲劇排練的完整過程,對整部歌劇有著較為深入的了解和體會。在本文中對于歌劇《駱駝祥子》四重唱段落的音樂的創(chuàng)作手法與人物之間的關(guān)系做了詳盡細致的分析,并依據(jù)音樂與戲劇的發(fā)展變化對此段進行了段落劃分,這樣合理的段落劃分對演員的音樂表現(xiàn)與戲劇調(diào)度都是有著積極的意義。
[Abstract]:Duet is an important means of expression in opera, which often appears in the part of narration and strong contradiction and conflict. It is an in-depth description and description of the personality and psychological activities of different characters at the same time, and it is an important creative technique combining musicality and drama. The author participated in the complete process of the original opera camel Xiangzi from piano homework to drama rehearsal in the National Grand Theater, and had a deep understanding and experience of the whole opera. In this paper, the relationship between the creative techniques of the opera camel Xiangzi quadruple and the characters is analyzed in detail, and the paragraph is divided according to the development and change of music and drama. Such a reasonable paragraph division is of positive significance to the actors' music performance and drama scheduling.
【學(xué)位授予單位】：中央音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J617.2

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本文編號：2499270