【摘要】：戲劇藝術(shù)擁有多種多樣的表達(dá)方式,中國當(dāng)代戲劇創(chuàng)作中既有來自于民族傳統(tǒng)文化所孕育的戲曲形式,也有從西方學(xué)習(xí)借鑒而來的話劇和舞劇等。從審美視角來看,在當(dāng)代戲劇創(chuàng)作中,文化的多元性使其構(gòu)思精巧,內(nèi)容豐富。與此同時,對于中西藝術(shù)觀念的融合,古今文化的傳承,以及雅俗問題的思辨始終存在于創(chuàng)作審美構(gòu)思之中。而從欣賞層面來看,創(chuàng)作中對于這些矛盾體的解構(gòu)又分別從視覺、聽覺、感覺中成功尋求到突破口。本文的論述基于以上內(nèi)容展開,以美學(xué)視角進(jìn)行一定程度的分析與探索。
[Abstract]:Drama art has a variety of expressions. In the contemporary Chinese drama creation, there are not only the opera forms conceived by the national traditional culture, but also the drama and dance drama learned from the West and so on. From the aesthetic point of view, in contemporary drama creation, the diversity of culture makes it exquisite in conception and rich in content. At the same time, the fusion of Chinese and Western artistic concepts, the inheritance of ancient and modern culture, and the speculation of elegance and vulgarity always exist in the aesthetic conception of creation. From the aspect of appreciation, the deconstructing of these contradictions in creation has successfully sought a breakthrough from vision, hearing and feeling. Based on the above content, this paper analyzes and explores to a certain extent from the perspective of aesthetics.
【作者單位】： 河南職業(yè)技術(shù)學(xué)院音樂學(xué)院;
【分類號】：J805
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本文編號：2499001