【摘要】：中國(guó)戲曲藝術(shù)基于民族美學(xué)精神,具有獨(dú)特的假定性和別具一格的形式美,是一種敘事與抒情兼容、再現(xiàn)與表現(xiàn)共生、間離與共鳴渾融的藝術(shù)形態(tài)。戲曲程式對(duì)生活素材予以提煉、夸張、變形、規(guī)范,將角色內(nèi)在情感鮮明地外化。程式體驗(yàn)是理性與感性二者辯證統(tǒng)一。戲曲程式體驗(yàn)“入乎其內(nèi),出乎其外”,是一套內(nèi)外兼修的技巧體驗(yàn),心理節(jié)奏與技術(shù)節(jié)奏合拍一致,心理技巧與形體技巧和諧統(tǒng)一。戲曲程式具有生長(zhǎng)性,既是前輩藝人的創(chuàng)造成果,又是后人再創(chuàng)造的中介平臺(tái)。戲曲程式與生活相互滲透、相互轉(zhuǎn)化,不斷破殼生長(zhǎng),好似戲曲藝術(shù)整體動(dòng)態(tài)發(fā)展進(jìn)程中的一座座驛站。
[Abstract]:Based on the spirit of national aesthetics, the art of Chinese opera, with its unique hypocrisy and unique formal beauty, is a kind of artistic form which is compatible with narrative and lyric, reappearing and expressing symbiosis, separation and resonance. Drama program refines the material of life, exaggerates, deforms, standardizes, and externalizes the inner emotion of the character. Program experience is the dialectical unity of reason and sensibility. Opera program experience "inside, outside" is a set of internal and external skills experience, psychological rhythm and technical rhythm consistent, psychological skills and physical skills harmoniously unified. Opera program has the growth, it is not only the creative achievement of the older artists, but also the intermediary platform of the later generation's re-creation. Opera program and life permeate each other, transform each other, constantly break the shell to grow, like the whole dynamic development of opera art in a series of post-stations.
【作者單位】： 中國(guó)藝術(shù)研究院戲曲研究所;
【分類號(hào)】：J821

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