【摘要】：本文選取戲劇節(jié)奏中的“停頓”作為研究對(duì)象,結(jié)合自己排演話劇《早安啦,媽媽》一劇的藝術(shù)心得,綜合考察《這是最后的斗爭》、 《欽差大臣》的戲劇場面中的停頓處理,論證“停頓”作為有效的戲劇表現(xiàn)手段,其所承載的情感張力和藝術(shù)魅力。論文重點(diǎn)分析了“靜場”、“停頓”、“定格”三種不同的戲劇表現(xiàn)手段,指出在戲劇節(jié)奏與戲劇的舞臺(tái)時(shí)間、心理時(shí)間中,盡管三者相互聯(lián)系,但有著不同的藝術(shù)表現(xiàn)特質(zhì),在藝術(shù)審美中承擔(dān)著不同的作用。因此本文力求通過具體分析,闡述三者的界分以及“停頓”的審美屬性,并通過對(duì)自身參與的藝術(shù)實(shí)踐的總結(jié),闡釋“停頓”在戲劇演出中的表現(xiàn)方式與審美價(jià)值。
[Abstract]:In this paper, "pause" in the rhythm of drama is chosen as the research object, combined with the artistic experience of rehearsing the play "good Morning, Mom", this is the final struggle, and the pauses in the drama scenes of the Minister of the Qin Dynasty are comprehensively examined. To demonstrate the emotional tension and artistic charm of pause as an effective means of theatrical expression. This paper focuses on the analysis of three different means of theatrical expression: "static field", "pause" and "stereotype", and points out that there are different artistic expression characteristics in drama rhythm, stage time and psychological time, although they are related to each other, but there are different artistic expression characteristics in drama rhythm, drama stage time and psychological time. It plays a different role in artistic aesthetics. Therefore, this paper tries to explain the definition of "pause" and the aesthetic attribute of "pause" through specific analysis, and through the summary of the artistic practice of its own participation, explains the way of expression and aesthetic value of "pause" in theatrical performance.
【學(xué)位授予單位】：中國藝術(shù)研究院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：J805

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本文編號(hào)：2460372