【摘要】：本文將中國(guó)戲曲研究院所編的《中國(guó)古典戲曲論著集成》中收錄的《太和正音譜》作為研究文本，以文獻(xiàn)學(xué)、分析法、歸納法、比較法作為主要研究方法，對(duì)《太和正音譜》中涉及到文獻(xiàn)和戲曲理論進(jìn)行闡述，并通過(guò)聲樂(lè)理論結(jié)合歌唱藝術(shù)實(shí)踐著重研究書中所涉及到的唱論與古代歌唱者的歷史，希望能夠幫助以后更多的古代戲曲理論研究者更直觀的理解朱權(quán)《太和正音譜》，以發(fā)掘其中唱論及歌唱?dú)v史的價(jià)值。 朱權(quán)《太和正音譜》作為一本集元代及明初戲曲理論、聲樂(lè)理論以及名家與名曲為一體的專業(yè)性著作，它是中國(guó)歷史上關(guān)于北曲的一本重要理論著作，它汲取了元鐘嗣成的《錄鬼簿》、燕南芝庵的《唱論》和周德清的《中原音韻》中的精華，，并加入了朱權(quán)本人對(duì)于元代戲曲理論的總結(jié)和元代名曲名家的收錄及品評(píng)。朱權(quán)將“曲論”、“曲唱”、“曲譜”、“曲評(píng)”融合為一體注入到《太和正音譜》中。筆者通過(guò)自己多年的聲樂(lè)學(xué)習(xí)結(jié)合實(shí)踐，從“呼吸”、“咬字”、“情感表達(dá)”三方面來(lái)挖掘《詞林須知》一節(jié)中的歌唱方法�！短驼糇V》中《善歌之士》一節(jié)例舉了36位業(yè)余歌唱名家，由于當(dāng)時(shí)那種漠視藝妓的封建觀念，很少有業(yè)余歌唱家的記載，特別是明初歌唱家的記錄，因此這是非常珍貴的歷史資料。
[Abstract]:This paper takes "Taihe Pioneer Spectrum", which is compiled by the Chinese Opera Research Institute, as the research text, and takes philology, analytical method, induction method, comparative method as the main research methods, and takes "Taihe Pionetics", which is compiled by the Chinese Academy of traditional Chinese Opera, as the research text. This paper expounds the literature and opera theory in Taihe Zheng Phonograms, and through the vocal music theory combined with the practice of singing art, focuses on the history of the singing theory and the ancient singers involved in the book. It is hoped that it can help more ancient opera researchers to understand Zhu Quan's "Taihe Pionetics" more intuitively, so as to explore the value of singing and singing history. Zhu Quan's "Taihe Zhengyin Spectrum" is an important theoretical work on Bei qu in Chinese history, which is a professional work integrating opera theory, vocal music theory and famous writers and songs in the Yuan Dynasty and the early Ming Dynasty, and it is one of the most important works in the history of China. It draws on the essence of Zhong Shi-Cheng's record Ghost Book, Yan Nan Zhi an's singing Theory and Zhou Deqing's Zhongyuan Pronunciation, and adds Zhu Quan's summary of the drama theory of Yuan Dynasty and the collection and evaluation of famous musicians in Yuan Dynasty. Zhu Quan infused "Song Theory", "Song Music", "Song score" and "qu commentary" into Taihe Pionetics. Through his many years of vocal music study and practice, from "breathing", "bite", Three aspects of "emotional expression" to explore the singing methods in the "ci Lin Xu Zhi" section. In "Taihe Pionetics," a section of "the good Songers" gives an example of 36 amateur singers, because of the feudal concept of ignoring geisha at that time. There are few records of amateur singers, especially at the beginning of Ming Dynasty, so this is a very valuable historical material.
【學(xué)位授予單位】：武漢音樂(lè)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：J809.2

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