戲曲藝術(shù)的“無限”與“有限”——淺談戲曲藝術(shù)的虛擬美
發(fā)布時間:2019-03-27 15:50
【摘要】:虛擬是中國戲曲的重要特征,戲曲中時間與空間的處理,正是通過虛擬手法將局限的舞臺巧妙地轉(zhuǎn)化成廣闊的藝術(shù)展現(xiàn)空間。中國傳統(tǒng)戲曲的虛擬化展現(xiàn)方式是利用表演藝術(shù)的假定性,將來源于生活的真實經(jīng)過藝術(shù)提煉,形成幻化的意境。
[Abstract]:Virtual is an important feature of Chinese opera. The processing of time and space in Chinese opera is how to turn the limited stage into broad artistic display space by means of virtual technique. The virtualized display way of Chinese traditional opera is to make use of the hypocrisy of performing arts, which will be derived from the real art of life in the future through artistic refinement, forming the illusion of artistic conception.
【作者單位】: 中央戲劇學(xué)院戲劇管理系;
【基金】:2013年度國家社會科學(xué)藝術(shù)基金資助項目“中國戲曲演出制作模式探索”的階段性成果,項目編號:13BB012
【分類號】:J801
,
本文編號:2448327
[Abstract]:Virtual is an important feature of Chinese opera. The processing of time and space in Chinese opera is how to turn the limited stage into broad artistic display space by means of virtual technique. The virtualized display way of Chinese traditional opera is to make use of the hypocrisy of performing arts, which will be derived from the real art of life in the future through artistic refinement, forming the illusion of artistic conception.
【作者單位】: 中央戲劇學(xué)院戲劇管理系;
【基金】:2013年度國家社會科學(xué)藝術(shù)基金資助項目“中國戲曲演出制作模式探索”的階段性成果,項目編號:13BB012
【分類號】:J801
,
本文編號:2448327
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