歌劇《野火春風(fēng)斗古城》中“楊曉東”藝術(shù)形象分析
發(fā)布時(shí)間：2019-03-01 12:34
【摘要】：現(xiàn)代民族歌劇《野火春風(fēng)斗古城》是中國(guó)民族歌劇中的佼佼者，新穎的創(chuàng)作手法和獨(dú)特的創(chuàng)作理念頗受廣大歌劇愛(ài)好者的喜愛(ài)。本篇論文通過(guò)對(duì)劇中主要人物楊曉東藝術(shù)形象的分析研究來(lái)學(xué)習(xí)和拓展中國(guó)民族歌劇中的創(chuàng)作優(yōu)點(diǎn)以及演唱中國(guó)民族歌劇的方式方法。論文從歌劇《野火春風(fēng)斗古城》中楊曉東的性格特征和音樂(lè)特征入手，，對(duì)他的唱段進(jìn)行研究和論述，通過(guò)文字說(shuō)明和譜例分析對(duì)楊曉東這一角色進(jìn)行精心細(xì)致的研究并對(duì)其唱段進(jìn)行合理完整的處理。筆者希望通過(guò)對(duì)這一角色的研究和分析進(jìn)一步加強(qiáng)對(duì)中國(guó)民族歌劇的認(rèn)知和了解。 論文從三個(gè)部分入手對(duì)歌劇中的楊曉東進(jìn)行具體分析。第一部分從楊曉東的角色入手進(jìn)行分析；第二部分通過(guò)對(duì)其主要唱段的研究進(jìn)行分析，第三部分從其主要唱段的演唱處理入手進(jìn)行分析，其中第二和第三部分對(duì)唱段的分析和處理是全文重點(diǎn)研究的對(duì)象。
[Abstract]:The modern national opera "the Old City of the Wild Fire Spring Wind fighting" is the outstanding person in the Chinese national opera, the novel creation method and the unique creation idea are quite popular with the majority of opera enthusiasts. This paper studies the artistic image of Yang Xiaodong, the main character of the opera, to learn and expand the creative advantages of the Chinese national opera and the way to sing the Chinese national opera. This paper starts with the character and musical characteristics of Yang Xiaodong in the opera "the Old City of the Wild Fire Spring Wind Dipper", and studies and discusses his singing section. The role of Yang Xiaodong is carefully studied and dealt with reasonably and integrally through the explanation of characters and the analysis of genealogical examples. The author hopes to further strengthen the cognition and understanding of Chinese national opera through the research and analysis of this role. This paper analyzes Yang Xiaodong in opera from three parts. The first part analyzes the role of Yang Xiaodong; The second part carries on the analysis through the research to its main singing segment, the third part carries on the analysis from its main singing processing, in which the second and the third part analyses and handles the singing segment is the focus of the full text research object.
【學(xué)位授予單位】：河南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：J822
本文編號(hào)：2432430
[Abstract]:The modern national opera "the Old City of the Wild Fire Spring Wind fighting" is the outstanding person in the Chinese national opera, the novel creation method and the unique creation idea are quite popular with the majority of opera enthusiasts. This paper studies the artistic image of Yang Xiaodong, the main character of the opera, to learn and expand the creative advantages of the Chinese national opera and the way to sing the Chinese national opera. This paper starts with the character and musical characteristics of Yang Xiaodong in the opera "the Old City of the Wild Fire Spring Wind Dipper", and studies and discusses his singing section. The role of Yang Xiaodong is carefully studied and dealt with reasonably and integrally through the explanation of characters and the analysis of genealogical examples. The author hopes to further strengthen the cognition and understanding of Chinese national opera through the research and analysis of this role. This paper analyzes Yang Xiaodong in opera from three parts. The first part analyzes the role of Yang Xiaodong; The second part carries on the analysis through the research to its main singing segment, the third part carries on the analysis from its main singing processing, in which the second and the third part analyses and handles the singing segment is the focus of the full text research object.
【學(xué)位授予單位】：河南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：J822
【參考文獻(xiàn)】
相關(guān)碩士學(xué)位論文 前2條
1 馬驊;論普契尼歌劇中女性人物的性格刻畫[D];上海音樂(lè)學(xué)院;2004年
2 劉茜;試論歌劇《圖蘭朵》中“柳兒”和她的兩首詠嘆調(diào)[D];河南大學(xué);2008年
本文編號(hào)：2432430
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