【摘要】： 歌劇《卡門》是抒情歌劇舞臺(tái)上最富戲劇性的作品,也是比才歌劇創(chuàng)作探索和創(chuàng)作成就上的最高峰。人們都說(shuō)歌劇《卡門》是一部音樂(lè)文學(xué),因此它的藝術(shù)成就是不言而喻的,它不僅在歌劇發(fā)展歷程中占有重要地位,至今仍然是上演頻度最高,最受觀眾喜愛(ài)的經(jīng)典歌劇之一。 本文以歌劇《卡門》為研究對(duì)象,共分為三個(gè)部分: 第一部分,從三個(gè)方面研究了歌劇《卡門》的創(chuàng)作追溯。首先對(duì)法國(guó)歌劇的歷史沿革進(jìn)行了簡(jiǎn)單的梳理,從而延伸出歌劇《卡門》的產(chǎn)生的時(shí)代背景及其創(chuàng)作由來(lái)。 第二部分,分析了歌劇《卡門》中所蘊(yùn)含的悲劇音樂(lè)元素,從主要唱段、序曲、重唱、合唱等幾個(gè)方面研究了歌劇《卡門》中悲劇劇情的發(fā)展過(guò)程,細(xì)致的研究了作曲家是如何運(yùn)用歡快的吉普賽音樂(lè)元素來(lái)塑造卡門這個(gè)悲劇人物形象的,并深入發(fā)掘了吉普賽音樂(lè)元素在悲劇中的對(duì)比體現(xiàn),從中探討戲劇沖突與音樂(lè)的完美結(jié)合,揭示出整部作品的悲劇色彩,并對(duì)歌劇《卡門》中人物悲劇性命運(yùn)的發(fā)展過(guò)程做出新的解讀。 最后,深入探討了歌劇《卡門》的悲劇美學(xué)意義,從悲劇美學(xué),悲劇心理學(xué)等角度入手,揭示出歌劇《卡門》的悲劇的意蘊(yùn)以及劇中所蘊(yùn)含的悲劇美感,從悲劇結(jié)局所帶來(lái)的心理體驗(yàn)以及悲劇沖突的永恒性等方面體現(xiàn)經(jīng)典歌劇《卡門》的審美價(jià)值。
[Abstract]:The opera Carmen is the most dramatic work on the stage of lyric opera, and also the highest peak in the exploration and achievement of opera creation. People say that opera Carmen is a musical literature, so its artistic achievement is self-evident. It not only plays an important role in the development of opera, but also remains one of the most popular classical operas. This paper takes the opera Carmen as the object of study. It is divided into three parts: the first part studies the tracing of the creation of opera Carmen from three aspects. Firstly, the historical evolution of French opera is simply combed, thus extending the background of the emergence of opera Carmen and the origin of its creation. In the second part, the author analyzes the tragic musical elements contained in the opera Carmen, and studies the development process of the tragic plot in the opera Carmen from several aspects, such as the main choir, the prelude, the duet, the chorus and so on. Carefully studied how the composer used the happy Gypsy music elements to create the tragic character of Carmen, and deeply explored the Gypsy music elements in the tragedy of the comparative embodiment, This paper probes into the perfect combination of drama conflict and music, reveals the tragic color of the whole work, and makes a new interpretation of the development process of the tragic fate of the characters in the opera Carmen. In the end, the significance of tragedy aesthetics of opera Carmen is discussed in depth. From the perspective of tragedy aesthetics and tragic psychology, the meaning of tragedy and the tragic aesthetic sense contained in opera are revealed. It embodies the aesthetic value of the classical opera Carmen from the psychological experience brought by the tragic ending and the permanence of the tragic conflict.
【學(xué)位授予單位】：河南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類號(hào)】：J832

【引證文獻(xiàn)】

相關(guān)期刊論文 前1條

1 肖迪晨;;歌劇《卡門》中插曲《愛(ài)情像一只自由的小鳥》的藝術(shù)性淺析[J];大舞臺(tái);2011年07期

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本文編號(hào)：2391805