【摘要】：在中央蘇區(qū),民間泛戲劇表演取代傳統(tǒng)戲曲成為鄉(xiāng)村最活躍的戲劇演出形式之一。其主要包括歌舞雜戲表演、說唱表演、雜藝(耍)表演及游戲表演等多種形態(tài)。在革命者的改造之下,民間泛戲劇演出內(nèi)容與形式都發(fā)生了很大的變化,凸顯出革命的集體意志。通過革命化的民間泛戲劇表演,革命者復(fù)活了鄉(xiāng)村傳統(tǒng)的文化儀式,吸引民眾參與廣場狂歡,制造出轟轟烈烈的革命場面。
[Abstract]:In the Central Soviet area, folk pan-dramatic performance replaced traditional opera as one of the most active forms of theatrical performance in the countryside. It mainly includes singing and dancing performances, rap performances, miscellaneous performances and game performances. Under the reform of revolutionaries, the contents and forms of folk pan-drama performances have undergone great changes, highlighting the collective will of the revolution. Through the revolutionary folk pan-drama, the revolutionaries revived the traditional rural cultural rituals, attracted people to participate in the square carnival, and created a dynamic revolutionary scene.
【作者單位】： 東華理工大學(xué)文法學(xué)院;江西戲劇資源研究中心;
【基金】：國家社科基金項(xiàng)目“20世紀(jì)中國文學(xué)的蘇區(qū)經(jīng)驗(yàn)研究”(15BZW148)階段性成果
【分類號】：J809.2
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本文編號：2302199