論真實主義歌劇《丑角》的悲劇性特征及卡尼奧角色塑造
發(fā)布時間：2018-09-16 19:59
【摘要】：真實主義歌劇《丑角》是19世紀晚期意大利著名作曲家盧杰羅·萊昂卡瓦洛的代表作,在世界歌劇歷史上占有重要的一席之地,是一部不朽的藝術珍品。 真實主義歌劇產生于十九世紀晚期的意大利,其創(chuàng)作理念來源于意大利真實主義文學。它的產生與特定的社會歷史環(huán)境下的大眾審美需求有著直接的關系�？v覽真實主義歌劇作品,以悲劇為題材,并以悲劇為結局是其共同特征,這并非作者的刻意營造,而是當時的壓迫、剝削、無力擺脫的社會歷史環(huán)境和小人物在理想與現(xiàn)實中的掙扎共同造成的,是作者秉承“真實主義”創(chuàng)作理念在灰色歷史背景下對現(xiàn)實生活的真實描摹,也形成了真實主義歌劇獨有的、內在的悲劇性特征。 萊昂卡瓦洛是十九世紀晚期意大利真實主義歌劇的重要代表人物,他的《丑角》作為一部典型的真實主義歌劇,具有題材來源于真實案例、作者早年流浪藝人的生活閱歷和當時社會背景的高度統(tǒng)一性,無論是從選材還是創(chuàng)作都體現(xiàn)了純粹的真實主義歌劇理念,是研究真實主義歌劇的絕佳范本。 本論文以真實主義歌劇及其代表作《丑角》為研究對象,首先,從歷史背景和理論來源兩個角度論述了真實主義歌劇的產生,總結了其獨有的悲劇性特征;并結合萊昂卡瓦洛生平,從題材選擇、獨特的戲劇構思兩個方面論述其悲劇性特征的體現(xiàn),以及悲劇人物卡尼奧的角色塑造。 全文共分三個部分: 第一部分,以真實主義歌劇產生的歷史環(huán)境為背景,從真實主義文學的產生及基本理論入手,探尋真實主義歌劇的發(fā)展脈絡,并總結其風格特征,同時對歌劇《丑角》做簡要的介紹及評述,為后兩章的論述做準備。 第二部分,研究歌劇《丑角》的創(chuàng)作及戲劇結構,分析其題材來源于真實生活、以“開場白”的形式奠定全劇悲劇基調、意大利即興喜劇元素的使用,以及“戲中戲”結構強烈的戲劇沖突,闡明其悲劇性特征之所在。 第三部分,以前兩章分析論證為基礎,對卡尼奧進行透徹的人物分析,從人性的角度探尋其悲劇命運的成因,并以詠嘆調《穿上戲裝》為例,完成對卡尼奧的角色塑造。
[Abstract]:The real opera "clown" is the masterpiece of the famous Italian composer Lujero Le 貿 n Cavallo in the late 19th century. It occupies an important place in the history of the world opera and is an immortal art treasure. The realistic opera originated in Italy in the late 19 th century, and its creative idea came from Italian real literature. Its emergence is directly related to the aesthetic needs of the masses in the specific social and historical environment. It is a common feature of a realistic opera to take tragedy as its subject matter and to take tragedy as its ending. This is not the author's deliberate creation, but the oppression and exploitation of the time. The social and historical environment which can not be rid of and the struggle of the little people in the ideal and the reality together result from the author's true depiction of real life under the background of grey history, which is based on the idea of "truthfulness". It also forms the unique and inherent tragic characteristics of realistic opera. Leon Caballo is an important representative of the Italian realistic opera in the late 19th century. His clown, as a typical truism opera, has its subject matter from the real case. The author's early life experience of wandering artists and the high unity of the social background at that time, both from the selection and creation of pure authentic opera philosophy, is a perfect model for the study of real opera. This thesis takes the realistic opera and its masterpiece "clown" as the research object. Firstly, from the historical background and the theoretical source, it discusses the emergence of the realistic opera and summarizes its unique tragic characteristics. Based on the life of Leon Caballo, this paper discusses the embodiment of his tragic characteristics and the role of the tragic character Canio from two aspects: the choice of subject matter and the unique conception of drama. The thesis is divided into three parts: the first part, based on the historical environment of the production of truism opera, starting with the emergence and basic theory of truism literature, the author explores the development of truism opera. At the same time, it briefly introduces and comments on the opera "clown", and prepares for the discussion of the latter two chapters. The second part studies the creation and dramatic structure of opera "clown", analyzes its subject matter from real life, establishes the tragic tone of the whole play in the form of "preface", and uses the elements of Italian improvisational comedy. And the dramatic conflict with strong structure in Drama clarifies its tragic characteristics. The third part, on the basis of the analysis and argumentation of the previous two chapters, makes a thorough analysis of Canio's characters, explores the causes of his tragic fate from the angle of human nature, and takes Arias "putting on costumes" as an example to complete the role shaping of Canio.
【學位授予單位】：河南大學
【學位級別】：碩士
【學位授予年份】：2011
【分類號】：J832
本文編號：2244630
[Abstract]:The real opera "clown" is the masterpiece of the famous Italian composer Lujero Le 貿 n Cavallo in the late 19th century. It occupies an important place in the history of the world opera and is an immortal art treasure. The realistic opera originated in Italy in the late 19 th century, and its creative idea came from Italian real literature. Its emergence is directly related to the aesthetic needs of the masses in the specific social and historical environment. It is a common feature of a realistic opera to take tragedy as its subject matter and to take tragedy as its ending. This is not the author's deliberate creation, but the oppression and exploitation of the time. The social and historical environment which can not be rid of and the struggle of the little people in the ideal and the reality together result from the author's true depiction of real life under the background of grey history, which is based on the idea of "truthfulness". It also forms the unique and inherent tragic characteristics of realistic opera. Leon Caballo is an important representative of the Italian realistic opera in the late 19th century. His clown, as a typical truism opera, has its subject matter from the real case. The author's early life experience of wandering artists and the high unity of the social background at that time, both from the selection and creation of pure authentic opera philosophy, is a perfect model for the study of real opera. This thesis takes the realistic opera and its masterpiece "clown" as the research object. Firstly, from the historical background and the theoretical source, it discusses the emergence of the realistic opera and summarizes its unique tragic characteristics. Based on the life of Leon Caballo, this paper discusses the embodiment of his tragic characteristics and the role of the tragic character Canio from two aspects: the choice of subject matter and the unique conception of drama. The thesis is divided into three parts: the first part, based on the historical environment of the production of truism opera, starting with the emergence and basic theory of truism literature, the author explores the development of truism opera. At the same time, it briefly introduces and comments on the opera "clown", and prepares for the discussion of the latter two chapters. The second part studies the creation and dramatic structure of opera "clown", analyzes its subject matter from real life, establishes the tragic tone of the whole play in the form of "preface", and uses the elements of Italian improvisational comedy. And the dramatic conflict with strong structure in Drama clarifies its tragic characteristics. The third part, on the basis of the analysis and argumentation of the previous two chapters, makes a thorough analysis of Canio's characters, explores the causes of his tragic fate from the angle of human nature, and takes Arias "putting on costumes" as an example to complete the role shaping of Canio.
【學位授予單位】：河南大學
【學位級別】：碩士
【學位授予年份】：2011
【分類號】：J832
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