【摘要】：本文以流傳在云南大理地區(qū)的白族傳統(tǒng)戲曲樣式——“吹吹腔戲”為研究對(duì)象，通過對(duì)白族村落的田野調(diào)查，結(jié)合史料，以云龍縣大達(dá)村為主要個(gè)案深入研究，探討了白族吹吹腔戲的演出歷史與傳承流變。將書面資料與民間藝人的口述材料相結(jié)合論證，，歸納出吹吹腔戲的藝術(shù)特色與民族特征。 本文正文包括三章，第一章以時(shí)間順序概述了云南吹吹腔戲的生發(fā)與歷史沿革，論證了吹吹腔戲系來源于弋陽(yáng)腔變體的觀點(diǎn)。第二章總體介紹了傳統(tǒng)吹吹腔戲的藝術(shù)特征，結(jié)合白族傳統(tǒng)文化與中原文化的碰撞探討了吹吹腔戲的人文內(nèi)涵。第三章就吹吹腔戲的行當(dāng)體制、表演程式、劇本劇目、演出團(tuán)體等方面的情況，從縱向?qū)Ρ鹊慕嵌戎攸c(diǎn)引入大達(dá)村吹吹腔戲個(gè)案展開由面及點(diǎn)的深度論述。 結(jié)語(yǔ)部分對(duì)吹吹腔戲的文化內(nèi)涵、藝術(shù)魅力做了概括分析，對(duì)其給白族人民意識(shí)形態(tài)、思維習(xí)慣帶來的影響做了總結(jié)闡釋，歸納了這一傳統(tǒng)的戲曲樣式在民間的生命力與藝術(shù)價(jià)值，探討了民間戲曲藝術(shù)未來的發(fā)展之路。
[Abstract]:This paper takes the traditional opera style of Bai nationality in Dali, Yunnan Province, as the object of study, through the field investigation of Bai nationality villages, combining with historical data, taking Dada Village of Yunlong County as the main case study. This paper discusses the history and inheritance of the Bai nationality blowing opera. Combining written materials with oral materials of folk artists, this paper concludes the artistic and national characteristics of blow-blowing opera. The text of this paper includes three chapters. The first chapter summarizes the hair and historical evolution of Yunnan blowing opera in chronological order, and demonstrates the viewpoint that the system of blowing cavity opera originates from the variation of Yiyang dialect. The second chapter introduces the artistic characteristics of the traditional blowing opera, and discusses the humanistic connotation of the traditional Bai nationality culture and the Central Plains culture. The third chapter focuses on the practice system, performance program, script, performance groups and so on, from the point of view of vertical comparison of the introduction of Dada Village blowing opera case from the depth of the face and point of discussion. The conclusion part summarizes the cultural connotation, artistic charm, and the influence on the ideology and thinking habits of the Bai people. This paper sums up the vitality and artistic value of this traditional style of opera in the folk, and probes into the way of the future development of the folk opera art.
【學(xué)位授予單位】：上海戲劇學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：J825

【參考文獻(xiàn)】

相關(guān)期刊論文 前9條

1 包鋼;;白族吹吹腔新探[J];民族藝術(shù)研究;2008年01期

2 汪文娟;;從徽池雅調(diào)到吹腔——兼析《販馬記》的唱腔[J];咸寧學(xué)院學(xué)報(bào);2007年01期

3 董秀團(tuán);論明清時(shí)期白族文化的轉(zhuǎn)型[J];云南民族大學(xué)學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版);2004年04期

4 申波;;大理古戲臺(tái)的文化學(xué)意義[J];云南民族大學(xué)學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版);2010年01期

5 段玉明;大理國(guó)的周邊關(guān)系[J];云南社會(huì)科學(xué);1997年03期

6 顧峰;;云南戲曲碑刻文告考述[J];中華戲曲;1996年02期

7 薛子言;薛雁;;白族吹吹腔[J];中華藝術(shù)論叢;2009年00期

8 朱恒夫;;論中國(guó)少數(shù)民族戲劇的特征[J];中央民族大學(xué)學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版);2009年05期

9 楊琦;;論白劇打擊樂[J];民族音樂;2010年03期

本文編號(hào)：2237172