論詠嘆調(diào)《孤獨(dú)、我墮落、被人拋棄》的戲劇性
發(fā)布時間：2018-09-10 08:24
【摘要】：賈科莫·普契尼(Puccini Giacomao,1858-1924)是繼威爾第之后意大利最偉大的歌劇作曲家,同時也是十九世紀(jì)末意大利真實(shí)主義歌劇的代表人物。《曼儂·萊斯科》是普契尼1893年發(fā)表即一舉成名的作品�！豆陋�(dú)、墮落、被人拋棄》是該歌劇最后一幕中由女主角曼儂演唱的一首極具戲劇性的詠嘆調(diào),其旋律凄婉動人,成為古往今來音樂會上經(jīng)久不衰的女高音經(jīng)典曲目。論文以“戲劇性”為切入口,探討這首詠嘆調(diào)中人物情感的戲劇性;音樂表現(xiàn)的戲劇性;歌唱表現(xiàn)的戲劇性,分析戲劇女高音與戲劇性詠嘆調(diào)之間的自然關(guān)聯(lián),以及歌唱的抒情性、敘事性、沖突性與戲劇性表現(xiàn)的關(guān)聯(lián)性,通過研究,從多元角度揭示詠嘆調(diào)中戲劇性存在的客觀性,為進(jìn)一步了解這一詠嘆調(diào)提供了認(rèn)知和演唱的參考。本文將分為三部分。第一部分,對“戲劇性”這一概念以及歌劇及詠嘆調(diào)中的“戲劇性”進(jìn)行簡述;第二部分,從情節(jié)的戲劇性、音樂的戲劇性這兩個方面對詠嘆調(diào)《孤獨(dú)、墮落、被人拋棄》的戲劇性進(jìn)行分析;第三部分,結(jié)合前面兩部分的闡述,從演唱方面對詠嘆調(diào)《孤獨(dú)、墮落、被人拋棄》的戲劇性處理進(jìn)行說明。
[Abstract]:Giacomo Puccini Giacomao,1858-1924 is Italy's greatest opera composer after Verdi. He is also a representative of the Italian realistic opera of the end of the nineteenth century. "Mannon Lesco" was published by Puccini in 1893 and became famous. Abandoned is a dramatic aria sung by the heroine Mannon in the last act of the opera, the melody of which is sad and moving. The thesis takes "drama" as the entrance, discusses the drama of character's emotion in this aria, the drama of music performance, the drama of singing performance, and analyzes the natural relation between the soprano and the dramatic aria. And the relationship between lyricism, narration, conflict and dramatic expression of singing. Through the study, the objectivity of dramatic existence in arias is revealed from multiple angles, which provides a reference for further understanding of this aria. This article will be divided into three parts. In the first part, the concept of "drama" and the "drama" in opera and aria are briefly described; the second part, from the drama of the plot, the drama of music, the two aspects of arias "loneliness, depravity," The third part, combined with the previous two parts, explains the dramatic treatment of arias "Lonely, depraved, abandoned" from the aspect of singing.
【學(xué)位授予單位】：武漢音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J617.2
[Abstract]:Giacomo Puccini Giacomao,1858-1924 is Italy's greatest opera composer after Verdi. He is also a representative of the Italian realistic opera of the end of the nineteenth century. "Mannon Lesco" was published by Puccini in 1893 and became famous. Abandoned is a dramatic aria sung by the heroine Mannon in the last act of the opera, the melody of which is sad and moving. The thesis takes "drama" as the entrance, discusses the drama of character's emotion in this aria, the drama of music performance, the drama of singing performance, and analyzes the natural relation between the soprano and the dramatic aria. And the relationship between lyricism, narration, conflict and dramatic expression of singing. Through the study, the objectivity of dramatic existence in arias is revealed from multiple angles, which provides a reference for further understanding of this aria. This article will be divided into three parts. In the first part, the concept of "drama" and the "drama" in opera and aria are briefly described; the second part, from the drama of the plot, the drama of music, the two aspects of arias "loneliness, depravity," The third part, combined with the previous two parts, explains the dramatic treatment of arias "Lonely, depraved, abandoned" from the aspect of singing.
【學(xué)位授予單位】：武漢音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J617.2
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相關(guān)期刊論文 前1條
1 陳紫;歌劇的形式與歌劇音樂的戲劇性[J];人民音樂;1992年01期
相關(guān)碩士學(xué)位論文 前3條
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