【摘要】：本文從華縣皮影的制作工藝、藝術(shù)風(fēng)格、聲腔表演等方面全面展示這門精巧的民間藝術(shù)。中國皮影藝術(shù)是民間工藝美術(shù)與戲曲巧妙結(jié)合的獨(dú)特藝術(shù)品種,其歷史悠久,流派眾多,其中以關(guān)中地區(qū)東路皮影的影響最為廣泛,而關(guān)中東路皮影又以華縣地區(qū)的皮影為突出代表。華縣皮影與全國其他各派系皮影相比較,無論雕刻、表演亦或唱腔都有突出特點(diǎn)。 傳統(tǒng)文化的保護(hù)和發(fā)展,已經(jīng)成為在經(jīng)濟(jì)全球化過程中維護(hù)世界文化多樣性以及人類社會(huì)可持續(xù)發(fā)展的重要方面�，F(xiàn)代化進(jìn)程不斷加快,為當(dāng)代文化的發(fā)展創(chuàng)造了條件,也使傳統(tǒng)文化的生存和發(fā)展陷入了困境。皮影這門起源并傳承于民間的文化藝術(shù),也難以抵擋洶涌澎湃的現(xiàn)代化大潮,發(fā)生了劇烈的改變,在我國多數(shù)地區(qū)幾近消失,面臨著失傳或消失的境地。與現(xiàn)今各地不同流派的皮影藝術(shù)的發(fā)展現(xiàn)狀相比,華縣的皮影形成了影戲衰微而影偶工藝品熱銷這一特殊現(xiàn)象。本文在豐富文獻(xiàn)資料的基礎(chǔ)上,結(jié)合田野調(diào)查資料,嘗試從客觀與主觀的角度綜合揭曉今天華縣所出現(xiàn)的影戲衰敗而影偶熱銷這一獨(dú)特現(xiàn)象多方面的原因；以期促進(jìn)影戲與影偶藝術(shù)的共同繁榮發(fā)展與傳承,保護(hù)文化的多樣性,實(shí)現(xiàn)文化與人的和諧及可持續(xù)發(fā)展。 文中第一部分總結(jié)回顧了國內(nèi)學(xué)者關(guān)于皮影的研究成果,并介紹本文的相關(guān)研究理論與方法；第二部分簡要介紹華縣的地理人文環(huán)境與華縣皮影的歷史淵源、地位影響；第三部分從造型特征、雕刻藝術(shù)、演出活動(dòng)三個(gè)方面介紹華縣皮影的特點(diǎn)；第四部分從影戲表演、皮影制作兩方面介紹華縣皮影的傳承現(xiàn)狀,嘗試對比分析導(dǎo)致‘影熱戲衰’這一傳承現(xiàn)狀的多方面原因；第五部分針對影戲與影偶的傳承現(xiàn)狀,探討華縣皮影的影戲表演技藝與皮影制作工藝的共同傳承發(fā)展。
[Abstract]:This article shows the exquisite folk art from the aspects of making craft, artistic style and vocal performance of Huaxian shadow. Chinese shadow art is a unique art variety which combines folk arts and crafts with traditional Chinese opera skillfully. It has a long history and many schools, among which the influence of East Road shadow in Guanzhong area is the most extensive. And Guanzhong East Road shadow and Huaxian area shadow for prominent representatives. Huaxian shadow compared with other factions across the country, regardless of carving, performance or singing have outstanding characteristics. The protection and development of traditional culture has become an important aspect of maintaining world cultural diversity and sustainable development of human society in the process of economic globalization. The process of modernization is speeding up, which creates conditions for the development of contemporary culture and makes the survival and development of traditional culture fall into difficulties. Shadow, which originated from and passed on to the folk culture and art, can hardly resist the surging tide of modernization and has undergone drastic changes. It has almost disappeared in most areas of our country, and is facing the situation of loss or disappearance. Compared with the present situation of shadow art in different schools, shadow play in Huaxian County has become a special phenomenon. On the basis of abundant literature and field investigation, this paper tries to comprehensively reveal the reasons for the decline of the movie drama in Huaxian and its popularity from an objective and subjective point of view. The aim is to promote the common prosperity and inheritance of the film play and the art of film puppet, to protect the diversity of culture, and to realize the harmonious and sustainable development of culture and people. The first part of the paper summarizes and reviews the research results of domestic scholars on shadow, and introduces the relevant research theories and methods, the second part briefly introduces the historical origin and status influence of Huaxian geographical and humanistic environment and shadow. The third part introduces the features of shadow in Huaxian from three aspects of modeling features, carving art and performance activities. The fourth part introduces the present status of shadow inheritance in Huaxian from two aspects: shadow play performance and shadow production. The fifth part aims at the present situation of shadow play and shadow puppets, and discusses the common inheritance and development of shadow play performance technology and shadow making technology in Huaxian.
【學(xué)位授予單位】：中央民族大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類號(hào)】：J827

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本文編號(hào)：2199179