【摘要】：清末民初,中國(guó)戲劇最大的變革是話劇的誕生。話劇是從西方傳入中國(guó)的新劇種,話劇當(dāng)時(shí)給中國(guó)戲劇帶來(lái)的新的美學(xué)特征,是寫實(shí)主義,是力求視覺(jué)逼真的舞臺(tái)敘事模式。由于話劇對(duì)視覺(jué)逼真的追求建立在中西戲劇之差異、話劇與中國(guó)傳統(tǒng)戲曲之差異的基礎(chǔ)上,因而"逼真"成為非常強(qiáng)勁的審美動(dòng)力,推動(dòng)著中國(guó)話劇的發(fā)展。中國(guó)寫實(shí)話劇演出經(jīng)歷了以下的階段:從不真的表演與逼真背景的分離,到逼真的表演完全融入逼真的背景,再到逼真的表演與寫意背景相得益彰,寫實(shí)與寫意兼容,寫實(shí)與表現(xiàn)兼容。但是,逼真的、性格化表演仍然在寫實(shí)主義話劇中擁有核心地位。
[Abstract]:In the late Qing Dynasty and early Republic of China, the greatest change in Chinese drama was the birth of drama. Modern drama is a new kind of drama introduced into China from the west. It brought new aesthetic characteristics to Chinese drama at that time, it is realism and the stage narrative mode that strives for the visual lifelike. Because the pursuit of visual realism in modern drama is based on the difference between Chinese and western drama and the difference between modern drama and Chinese traditional opera, "lifelike" becomes a very strong aesthetic motive force and promotes the development of Chinese modern drama. Chinese realistic drama performance has gone through the following stages: never really performing and lifelike background separation, to lifelike performance fully integrated into the lifelike background, then to realistic performance and freehand brushwork background complement each other, realistic and freehand brushwork compatible, Realism and performance are compatible. However, lifelike, characterizing performances still play a central role in realistic drama.
【作者單位】： 上海戲劇學(xué)院圖書館;
【基金】：“上海市高峰高原學(xué)科建設(shè)計(jì)劃”的階段性成果,項(xiàng)目編號(hào):SH1510GFXK
【分類號(hào)】：J824

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本文編號(hào)：2186048