【摘要】：一般認(rèn)為,昆曲曲牌唱調(diào)(下稱"昆唱")均由昆曲運(yùn)用依字行腔法創(chuàng)作而來。其實(shí),依字行腔在昆曲中的唯一功能是用以創(chuàng)作字腔,但構(gòu)成昆唱的不僅有字腔,還有占半壁江山的過腔。昆曲用以創(chuàng)作過腔的方法,謂過腔創(chuàng)作法;用以連接字腔、過腔,以構(gòu)成昆唱的方法,謂接字法。此誠魏良輔所謂"過腔接字乃關(guān)鎖之地"的核心內(nèi)涵。此外,昆曲用以創(chuàng)作唱調(diào)的還有點(diǎn)板法、宮調(diào)法等。由此足見,昆唱是由昆曲運(yùn)用多種創(chuàng)作法創(chuàng)作而來,昆唱純由依字行腔而來說法不符實(shí)際。該說在客觀上給該領(lǐng)域研究帶來的負(fù)面影響,不可低估。
[Abstract]:It is generally believed that Kunqu qu tune (hereafter referred to as "Kun Song") was created by the use of line-by-line method of Kunqu Opera. As a matter of fact, the only function of the line by character in Kunqu Opera is to create the character cavity, but it is composed not only of the character cavity, but also of the cross cavity that accounts for half of the total. Kunqu Opera is used to create the method of the past cavity, which is called the method of creating the cross cavity, to connect the character cavity and the cavity, to form the method of Kun singing, which is called the method of taking the words. This Cheng Wei Liangfu so-called, "the word is closed to the core of the connotation of lock." In addition, Kunqu Opera for the creation of singing also a bit of formality, palace tone, and so on. Therefore, Kun singing is created by Kunqu Opera with various creative methods, and it is not practical to say that Kun sang purely from the line of words. The negative effect of this theory on the research in this field can not be underestimated.
【分類號】：J617.5

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