建國以來至“文革”前山東地方戲演出研究
發(fā)布時間：2018-08-14 19:10
【摘要】：建國以來至“文革”前十七年間的戲劇發(fā)展歷史被稱為“十七年”戲劇,是中國戲劇史的一個重大轉(zhuǎn)折點,它代表著中國戲劇由“傳統(tǒng)戲劇”到“現(xiàn)代戲劇”的一個階段性轉(zhuǎn)折。同時,也是一個承前啟后的階段,既是對解放戰(zhàn)爭以來戲劇的傳承,也是后續(xù)戲劇發(fā)展的起點,因此,對這一時間段的戲劇演出情況進行研究有助于對于整體戲劇史的了解和未來戲劇的改革發(fā)展的探索借鑒。對山東省“十七年”間的傳統(tǒng)戲劇改革和演出情況的研究的目的也在于此。本文通過對山東省文化藝術(shù)志資料匯編及《中國戲曲志·山東卷》等史志資料的研究,對山東1949年至1966年間的地方戲的戲改政策、戲改機構(gòu)、戲改活動實施情況、劇團分布、演職人員培養(yǎng)、劇目改編創(chuàng)作、演出情況等進行探討。本文共分為七個部分:緒論、正文五章、結(jié)語。緒論部分根據(jù)此前山東地方戲的研究情況,分析選題背景和選題意義,概述本文的研究方法和創(chuàng)新點。正文第一章分析戲改政策,對山東地方戲的戲改機構(gòu)和戲改活動實施情況進行分析,以求客觀展現(xiàn)山東戲改活動的實施情況。第二章主要以列表形式展現(xiàn)山東地方戲的劇團成立和分布情況,并對劇團在各市的分布情況進行分析。第三章對戲改前后演職人員的社會地位、培養(yǎng)方式和待遇問題進行論述。第四章以重點劇目為例,分析改編的傳統(tǒng)劇目和創(chuàng)作的現(xiàn)代劇目(包括新編歷史劇和現(xiàn)代小戲)的語言特點、人物形象、故事情節(jié)、劇本結(jié)構(gòu)和主題表達等,并將兩類劇目與未經(jīng)改編的傳統(tǒng)劇目進行比較,分析劇目思想傾向的變化。第五章介紹山東的主要演出場所,并對山東地方戲現(xiàn)實主義演出風格從演員表演、舞臺藝術(shù)和劇目內(nèi)容等方面進行分析。最后結(jié)語部分,通過對山東戲改活動的研究,總結(jié)山東戲改的得失與價值,探討其對現(xiàn)代傳統(tǒng)戲劇改革發(fā)展的借鑒意義。
[Abstract]:The history of drama development from the founding of the people's Republic of China to the first 17 years of the Cultural Revolution is called "17 years" drama, which is a major turning point in the history of Chinese drama. It represents a stage transition of Chinese drama from traditional drama to modern drama. At the same time, it is also a stage connecting the past and the future. It is not only the inheritance of the drama since the War of Liberation, but also the starting point for the subsequent development of the drama. Therefore, The study of this period is helpful to the understanding of the whole history of drama and the exploration and reference of the reform and development of the future drama. The purpose of the study on the traditional drama reform and performance in Shandong Province is 17 years. Based on the study of the compilation of cultural and artistic records of Shandong Province and the historical records of Chinese Drama Records Shandong Volume, this paper makes a study of the local opera reform policy, the organization of opera reform, the implementation of drama reform activities, and the distribution of theatrical troupes in Shandong Province from 1949 to 1966. Performance personnel training, repertoire adaptation and creation, performance situation and so on are discussed. This article is divided into seven parts: introduction, body five chapters, conclusion. In the introduction part, according to the research situation of Shandong local opera, the background and significance of the selected topic are analyzed, and the research methods and innovations of this paper are summarized. The first chapter of the text analyzes the policy of drama reform and analyzes the implementation of the local opera reform organization and the opera reform activities in order to objectively show the implementation of Shandong opera reform activities. The second chapter mainly shows the establishment and distribution of Shandong local opera troupes in the form of tables, and analyzes the distribution of the troupes in various cities. The third chapter discusses the social status, training methods and treatment of the performers before and after the drama reform. The fourth chapter takes the key repertoire as an example to analyze the language characteristics, characters, story plot, script structure and theme expression of the adapted traditional repertoire and the modern repertoire (including the new historical drama and the modern drama). And compare the two kinds of repertoire with unadapted traditional repertoire, and analyze the change of the tendency of the repertoire thought. The fifth chapter introduces the main performing places in Shandong, and analyzes the realistic performance style of Shandong local opera from the aspects of actor performance, stage art and repertoire. Finally, the conclusion part, through the study of Shandong opera reform activities, summarizes the gain and loss of Shandong opera reform and its value, and discusses its reference significance for the development of modern traditional drama reform.
【學位授予單位】：濟南大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J825
本文編號：2183843
[Abstract]:The history of drama development from the founding of the people's Republic of China to the first 17 years of the Cultural Revolution is called "17 years" drama, which is a major turning point in the history of Chinese drama. It represents a stage transition of Chinese drama from traditional drama to modern drama. At the same time, it is also a stage connecting the past and the future. It is not only the inheritance of the drama since the War of Liberation, but also the starting point for the subsequent development of the drama. Therefore, The study of this period is helpful to the understanding of the whole history of drama and the exploration and reference of the reform and development of the future drama. The purpose of the study on the traditional drama reform and performance in Shandong Province is 17 years. Based on the study of the compilation of cultural and artistic records of Shandong Province and the historical records of Chinese Drama Records Shandong Volume, this paper makes a study of the local opera reform policy, the organization of opera reform, the implementation of drama reform activities, and the distribution of theatrical troupes in Shandong Province from 1949 to 1966. Performance personnel training, repertoire adaptation and creation, performance situation and so on are discussed. This article is divided into seven parts: introduction, body five chapters, conclusion. In the introduction part, according to the research situation of Shandong local opera, the background and significance of the selected topic are analyzed, and the research methods and innovations of this paper are summarized. The first chapter of the text analyzes the policy of drama reform and analyzes the implementation of the local opera reform organization and the opera reform activities in order to objectively show the implementation of Shandong opera reform activities. The second chapter mainly shows the establishment and distribution of Shandong local opera troupes in the form of tables, and analyzes the distribution of the troupes in various cities. The third chapter discusses the social status, training methods and treatment of the performers before and after the drama reform. The fourth chapter takes the key repertoire as an example to analyze the language characteristics, characters, story plot, script structure and theme expression of the adapted traditional repertoire and the modern repertoire (including the new historical drama and the modern drama). And compare the two kinds of repertoire with unadapted traditional repertoire, and analyze the change of the tendency of the repertoire thought. The fifth chapter introduces the main performing places in Shandong, and analyzes the realistic performance style of Shandong local opera from the aspects of actor performance, stage art and repertoire. Finally, the conclusion part, through the study of Shandong opera reform activities, summarizes the gain and loss of Shandong opera reform and its value, and discusses its reference significance for the development of modern traditional drama reform.
【學位授予單位】：濟南大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J825
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