【摘要】：昆曲有主調(diào)。昆曲南曲主調(diào)是Re Mi Re Do La(簡約為Re Do La);昆北主調(diào)是Re Mi Do Si La和la Do So Fa Mi(簡約為Do Si La和So Fa Mi)。其原始由來是去聲字腔。該音調(diào)之能成為昆南主調(diào)的主要原因是其自身比之它類字腔具更多的優(yōu)勢和對該音調(diào)的大量翻用和泛用。泛用的主要手法有改變主調(diào)首音法、前置新字腔法、移宮換呂法等。主調(diào)對昆曲具全局性、主導(dǎo)性、根本性的影響。如昆北以三音列型兩主調(diào)替代清樂七聲音階中兩偏音后,音階形式發(fā)生變異,由此導(dǎo)致原本獨立的清角、變宮兩偏音的活動范圍、不穩(wěn)定性受到了極大的削弱、制約,昆北唱調(diào)旋律進行方向、音樂語匯等均發(fā)生變化,一個"氣無煙火"的文人音樂即由此生。
[Abstract]:Kunqu Opera has its main tone. The main tone of Kunqu Opera is Re Mi Re Do La (, the main tone of Kunqu is Re Do La);, the main tone of Kunqu is Re Mi Do Si La and la Do So Fa Mi (is Do Si La and So Fa Mi). Its original origin is the acoustics. The main reason why this tone can become the main tone of Quinan is that it has more advantages than other characters and is widely used. The main techniques used include the change of the main tone first tone method, the front new word cavity method, the transfer of the palace for the Lv method and so on. The main tone has an overall, dominant and fundamental influence on Kunqu Opera. For example, after replacing the two skewed tones in the Ching Le Seven Sound scale with the three-tone series and two main tones in the north of Kunming, the scale form changes, which leads to the original independent activity range of the Qing and Gong deviations, and the instability is greatly weakened and restricted. The direction of melody and the musical vocabulary of Northern Kunn changed, and the music of a literati with no gas and no fireworks was born in this life.
【作者單位】： 臨沂大學(xué)中國文藝評論基地;
【分類號】：J617.5

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