小議戲曲導演對舞臺節(jié)奏的把握
發(fā)布時間:2018-08-07 21:17
【摘要】:正在戲曲藝術中,"節(jié)奏"是個十分重要的概念,李漁在《閑情偶記》中談到劇本布局要"山窮水盡之處,偏宜突起波瀾",演出要"有高低輕重之別",就提及了傳統(tǒng)戲曲的節(jié)奏問題。戲曲大師張庚先生也曾對戲曲的節(jié)奏有過論述:"節(jié)奏上一下子快了,一下子又慢了,能使得戲曲的變化多端。這里面是很妙的。一出戲如果把快慢安排好了,那就漂亮得很。"明確提及了節(jié)奏對于戲曲演出的重要性。
[Abstract]:"Rhythm" is a very important concept in the art of drama. Li Yu talked about the layout of the script as "the end of the river." The rhythm of the traditional opera is mentioned. Master Zhang Geng has also discussed the rhythm of the opera: "the rhythm of a quick, a sudden slow, can make the drama varied." It's wonderful in here. If a play is arranged quickly and slowly, it will be very beautiful. " The importance of rhythm to the performance of the opera was explicitly mentioned.
【分類號】:J811
本文編號:2171371
[Abstract]:"Rhythm" is a very important concept in the art of drama. Li Yu talked about the layout of the script as "the end of the river." The rhythm of the traditional opera is mentioned. Master Zhang Geng has also discussed the rhythm of the opera: "the rhythm of a quick, a sudden slow, can make the drama varied." It's wonderful in here. If a play is arranged quickly and slowly, it will be very beautiful. " The importance of rhythm to the performance of the opera was explicitly mentioned.
【分類號】:J811
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