獨(dú)山花燈本土特色探究
發(fā)布時間：2018-07-17 21:55
【摘要】： 獨(dú)山花燈是貴州南路花燈的代表,是黔南城鄉(xiāng)各族人民喜聞樂見的一種藝術(shù)形式。本文將在前人研究成果的基礎(chǔ)上著重考察和研究獨(dú)山花燈燈俗交融、語言風(fēng)韻、音樂表演的地域、民族特色及成因,使世人能全面了解獨(dú)山花燈的本土特色,這對于獨(dú)山花燈的專題研究來說,是一種新的視角和拓展。 第一章導(dǎo)言。第一節(jié)主要講述選題緣由、前人研究成果檢索、研究方法、研究目標(biāo)及意義。第二節(jié)主要對田野工作及其研究對象的生境進(jìn)行簡要的敘述。 第二章獨(dú)山花燈形成發(fā)展多元說。這一章將從“外來說”和“本土說”兩個方面來進(jìn)行論述,從而得出獨(dú)山花燈是一個多源頭、綜合性的藝術(shù)門類,并在與外來音樂的相互吸收與借鑒中不斷的提高和完善自身。 第三章獨(dú)山花燈本土特色。第一節(jié)主要從獨(dú)山花燈與當(dāng)?shù)孛袼字g的交融關(guān)系入手,并從花燈的流播形式和表演程式方面來論述其本土特征。第二節(jié)主要從唱腔與語言聲調(diào)的關(guān)系以及獨(dú)山方言土語入樂這一事實來論述獨(dú)山花燈的語言本土特色。第三節(jié)主要論述音樂方面的特征,首先對獨(dú)山花燈的詞體結(jié)構(gòu)特點進(jìn)行剖析,進(jìn)而分別從唱腔、過場牌子、鑼鼓曲牌、伴奏樂隊四個方面進(jìn)行論證,從而使我們清楚的認(rèn)識到作為一種戲曲形式的標(biāo)志——獨(dú)山花燈音樂是在不斷融入本地區(qū)各民族音樂元素的基礎(chǔ)上,又不斷的吸收外地區(qū)它民族的可用音樂元素來進(jìn)行本土化改造的一個過程。第四節(jié)從舞蹈、服飾以及劇目內(nèi)容各方面來對獨(dú)山花燈的本土特色進(jìn)行全面闡釋。這一章是本文的核心部分,通過對獨(dú)山花燈藝術(shù)魅力核心因素——本土特征的詳盡剖析,來深刻揭示出獨(dú)山花燈的本土特色及其成因,以此提高我們對獨(dú)山花燈的社會文化價值的認(rèn)識。 第四章獨(dú)山花燈的現(xiàn)狀、發(fā)展和出路。這一章將針對獨(dú)山花燈的發(fā)展現(xiàn)狀、面臨的發(fā)展機(jī)遇和挑戰(zhàn)以及保護(hù)的重要性,提出具體的傳承、發(fā)展與保護(hù)的對策。
[Abstract]:Dushan flower lantern is the representative of Guizhou Nanlu flower lantern, it is a kind of art form that people of all ethnic groups in Qiannan city and countryside like to see. Based on the previous research results, this paper will focus on the study of Dushan flower lantern custom blending, language charm, music performance region, national characteristics and causes, so that the world can fully understand the local characteristics of Dushan flower lantern. This is a new angle of view and expansion for the monographic study of Dushan lantern. Chapter I introduction The first section describes the reason of the topic, previous research results retrieval, research methods, research objectives and significance. The second section mainly describes the field work and the habitat of its research object. Chapter II Dushan lantern formation and development of the pluralistic theory. This chapter will be discussed from the two aspects of "foreign theory" and "local theory", so as to draw the conclusion that Dushan flower lantern is a multi-source, comprehensive art category, and constantly improve and perfect itself in the mutual absorption and reference of foreign music. Chapter III Dushan lantern local characteristics. The first section mainly starts with the relationship between Dushan lantern and local folklore, and discusses its native characteristics from the aspects of its flowing form and performing program. The second section mainly discusses the local features of Dushan lantern from the relationship between singing and language tone and the fact that the dialect of Dushan dialect enters into music. The third section mainly discusses the characteristics of music. First of all, it analyzes the structure of Dushan lantern, and then demonstrates it from four aspects: singing, performance sign, gongs and drums, accompaniment band, etc. So that we can clearly realize that Dushan lantern music, as a symbol of opera form, is based on the continuous integration of the elements of the various ethnic groups in the region. It also absorbs the musical elements of other nationalities to carry on the process of localization. In the fourth section, the local characteristics of Dushan lantern are explained comprehensively from dance, dress and play content. This chapter is the core part of this paper, through the detailed analysis of the core factor of Dushan flower lantern artistic charm-local characteristics, to deeply reveal the local characteristics of Dushan flower lantern and its causes. In order to enhance our understanding of the social and cultural value of Dushan lantern. Chapter four: the present situation, development and outlet of Dushan lantern. This chapter will aim at the present situation of Dushan flower lantern, the opportunity and challenge of development and the importance of protection, and put forward the specific countermeasures of inheritance, development and protection.
【學(xué)位授予單位】：貴州大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2009
【分類號】：J825
本文編號：2131051
[Abstract]:Dushan flower lantern is the representative of Guizhou Nanlu flower lantern, it is a kind of art form that people of all ethnic groups in Qiannan city and countryside like to see. Based on the previous research results, this paper will focus on the study of Dushan flower lantern custom blending, language charm, music performance region, national characteristics and causes, so that the world can fully understand the local characteristics of Dushan flower lantern. This is a new angle of view and expansion for the monographic study of Dushan lantern. Chapter I introduction The first section describes the reason of the topic, previous research results retrieval, research methods, research objectives and significance. The second section mainly describes the field work and the habitat of its research object. Chapter II Dushan lantern formation and development of the pluralistic theory. This chapter will be discussed from the two aspects of "foreign theory" and "local theory", so as to draw the conclusion that Dushan flower lantern is a multi-source, comprehensive art category, and constantly improve and perfect itself in the mutual absorption and reference of foreign music. Chapter III Dushan lantern local characteristics. The first section mainly starts with the relationship between Dushan lantern and local folklore, and discusses its native characteristics from the aspects of its flowing form and performing program. The second section mainly discusses the local features of Dushan lantern from the relationship between singing and language tone and the fact that the dialect of Dushan dialect enters into music. The third section mainly discusses the characteristics of music. First of all, it analyzes the structure of Dushan lantern, and then demonstrates it from four aspects: singing, performance sign, gongs and drums, accompaniment band, etc. So that we can clearly realize that Dushan lantern music, as a symbol of opera form, is based on the continuous integration of the elements of the various ethnic groups in the region. It also absorbs the musical elements of other nationalities to carry on the process of localization. In the fourth section, the local characteristics of Dushan lantern are explained comprehensively from dance, dress and play content. This chapter is the core part of this paper, through the detailed analysis of the core factor of Dushan flower lantern artistic charm-local characteristics, to deeply reveal the local characteristics of Dushan flower lantern and its causes. In order to enhance our understanding of the social and cultural value of Dushan lantern. Chapter four: the present situation, development and outlet of Dushan lantern. This chapter will aim at the present situation of Dushan flower lantern, the opportunity and challenge of development and the importance of protection, and put forward the specific countermeasures of inheritance, development and protection.
【學(xué)位授予單位】：貴州大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2009
【分類號】：J825
【引證文獻(xiàn)】
相關(guān)期刊論文 前1條
1 劉純;;貴州布依族浪哨音樂文化特征探析[J];懷化學(xué)院學(xué)報;2011年10期
相關(guān)碩士學(xué)位論文 前1條
1 陳瑤;湖南平江燈戲藝術(shù)風(fēng)格和演唱特點研究[D];湖南師范大學(xué);2011年
，本文編號：2131051
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