本文選題：高密茂腔 + 地方劇種��； 參考：《吉林大學》2015年碩士論文

【摘要】：高密茂腔是山東的地方小戲，至今已有二百多年的歷史，屬山東地方戲四大系統(tǒng)中的肘鼓系。它之所以被稱為“拴老婆撅子戲”，是因為它的唱腔獨特，在當?shù)貗D孺皆知，深入人心，深受婦女們的喜愛。在膠東半島久負盛名，主要流傳在膠東半島的不同地域，如高密、諸城、青島、膠州、膠南、日照、五蓮、臨沂等地區(qū)，有“膠東之花”的美譽。茂腔在聲腔的發(fā)展中經(jīng)歷了本肘鼓、冒肘鼓、茂腔三個階段。其聲腔源頭是肘鼓子聲腔系統(tǒng)，根據(jù)史料記載，肘鼓子腔是在“姑娘腔”的腔調(diào)基礎(chǔ)上經(jīng)過逐漸演變而形成的。 高密做為茂腔的發(fā)源地，早在二百年前就出現(xiàn)了本肘鼓這一地方戲曲劇種，并在高密本土民間廣為流傳。高密茂腔是高密人的精神食糧，，也是高密文化的重要組成部分。2006年，高密茂腔被列入了國家非物質(zhì)文化遺產(chǎn)名錄。 在高密茂腔的傳承過程中，分為南北傳承體系：高密北鄉(xiāng)指安家莊、北斜溝、南斜溝、河崖一帶，慢慢發(fā)展成現(xiàn)如今的高密茂腔劇團；高密南鄉(xiāng)指拒城河辛莊、劉家屯、井溝一帶，后來發(fā)展成五蓮茂腔劇團、諸城茂腔劇團等。 寫作本文章主要采用田野考察法，去高密茂腔劇團做調(diào)研，把高密茂腔做為研究對象，通過對茂腔老藝術(shù)家的走訪、學習和交流，運用收集到的第一手資料，綜合運用文獻分析、實例分析、推理分析、歸納總結(jié)等方法，力求客觀的反映出茂腔在高密地區(qū)的源流、音樂本體、發(fā)展現(xiàn)狀及傳承保護等方面的問題，對高密茂腔的保護提出建議和具體措施。 全文共分五章。第一章為緒論，講述了本文的選題意義、研究現(xiàn)狀、研究思路和方法；第二章為高密茂腔的起源與演變，講到了高密茂腔的聲腔起源于肘鼓子，高密茂腔發(fā)展過程中的三個階段以及高密茂腔的地域文化特征；第三章為高密茂腔的藝術(shù)特征，主要是對高密茂腔的本體的音樂特征進行了詳細的介紹，如高密茂腔的語言及演唱特點、唱腔類型與句式特點、音階調(diào)式與十三轍、基本唱腔板式與曲牌、伴奏與樂隊、行當與劇目；第四章高密茂腔的生存現(xiàn)狀調(diào)查，本章主要是通過本人去高密茂腔劇團進行實地的考察，對高密茂腔的生存現(xiàn)狀做了分析及梳理，主要是從高密茂腔劇團的發(fā)展歷程、演出劇目及獲獎情況、創(chuàng)新發(fā)展中的高密茂腔以及高密茂腔藝人傳承譜系這四個方面進行闡述；第五章為高密茂腔的保護與傳承，本章主要講的是通過實地的考察以及對高密茂腔現(xiàn)狀的分析，最后對高密茂腔未來的傳承發(fā)展提出了一些可行的措施和建議，并且展望高密茂腔發(fā)展的未來。
[Abstract]:Gaomi Maoxue is a small local opera in Shandong Province, which has a history of more than 200 years and belongs to the elbow drum system in the four systems of Shandong local opera. The reason why it is called "tie wife and pouty play" is because of its unique singing, widely known in the local women and deeply popular, deeply loved by women. In Jiaodong Peninsula has long been famous, mainly spread in different areas of Jiaodong Peninsula, such as Gaomi, Zhucheng, Qingdao, Jiaozhou, Jiaonan, Rizhao, Wulian, Linyi and other areas, "Jiaodong flower" reputation. In the development of acoustic cavity, Mao cavity has experienced three stages: local elbow drum, cubital drum and Mao cavity. The origin of the chamber is the cubital drum system. According to the historical records, the cubital cavity is gradually evolved on the basis of the tune of the "girl's cavity". Gaomi as the birthplace of Maoxue, as early as 200 years ago, this local opera and drum, and in Gaomi local folk widely spread. Gaomi Mao-cai is not only the spiritual food of Gaomi people, but also an important part of Gaomi Culture. In 2006, Gaomi Maomao cavity was listed in the National Intangible Cultural Heritage list. In the process of inheriting Gaomi Maomao cavity, it is divided into a north-south inheritance system: Gomi North Township refers to Anjiazhuang, Beijiaogou, Nanjiaogou, River Cliff, and slowly develops into today's Gaomi Maomao Opera Troupe; Gaomi South Township refers to Shuicheng River Xinzhuang, Liu Jiatun, Jinggou area, later developed into Wulian Maolao Opera Troupe, Zhucheng Maolao Opera Troupe and so on. This article mainly adopts the field investigation method, goes to the Gaomi Maomao Opera Company to do the research, regards Gao Miao cavity as the research object, through the visit, the study and the exchange to the Mao cavity old artist, uses the collected first-hand information. By synthesizing the methods of literature analysis, case analysis, reasoning analysis, induction and summary, and so on, we strive to objectively reflect the source and stream of Maoxiang in the Gaomi area, the music Noumenon, the status quo of development and the protection of heritage, and so on. Suggestions and concrete measures are put forward for the protection of Gaomi Maomao cavity. The full text is divided into five chapters. The first chapter is the introduction, which describes the significance of the topic, research status, research ideas and methods, the second chapter is about the origin and evolution of Gaomimao cavity, the origin of Gaomimao cavity comes from the elbow drum, the second chapter is about the origin and evolution of Gaomimao cavity, the second chapter is about the origin and evolution of Gaomimao cavity. The third chapter is the artistic characteristics of Gaomi Maomao cavity, which mainly introduces the music features of Gaomi Maomao cavity in detail, and the regional culture of Gaomi Maomao cavity in the three stages of the development of Gaomi Maomao cavity, the third chapter is the art characteristics of Gaomi Maomao cavity, which mainly introduces the music characteristics of Gaomimao cavity. Such as the language and singing characteristics of Gaomi Maomao, the type of singing and the characteristics of sentence pattern, the pattern of scale and 13, the basic style of singing and playing, the accompaniment and band, the practice and the repertoire. Chapter four, the investigation of the living situation of Gaomimao, This chapter is mainly through myself to the Gaomi Maomao Opera Troupe for a field investigation, to the survival of Gaomi Maomao cavity to do an analysis and combing, mainly from the development of Gaomi Maomao Opera Troupe, performance repertoire and award-winning situation. This chapter is about the protection and inheritance of Gaomi Maomao cavity, which is mainly about the field investigation and the analysis of the current situation of Gaomi Maomao cavity. Finally, some feasible measures and suggestions are put forward for the future development of Gaomi Maomao cavity, and the future development of Gaomi Maomao cavity is prospected.
【學位授予單位】：吉林大學
【學位級別】：碩士
【學位授予年份】：2015
【分類號】：J825

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