發(fā)布時間：2018-07-10 00:01

  本文選題：地方戲 + 戲班　； 參考：《湖北民族學院學報(哲學社會科學版)》2017年06期

【摘要】：民族戲班是一個政治性較強的社會組織。以往研究主要集中于戲劇學、人類學等領(lǐng)域,視角較單一�；谡螌W的新考量,更可發(fā)現(xiàn)它與漢族戲班的諸多差異性:首先,明清帝國時期的邊疆帶,為其生成發(fā)展設(shè)置了獨特的自然空間、制度空間和歷史時段;其次,南傳儒學"內(nèi)卷化"與少數(shù)民族堅守民族文化的兩種進程,同構(gòu)了民族戲班生成發(fā)展的政治文化總背景;再次,戲師權(quán)威地位的建構(gòu)、民族戲班的權(quán)力分配與運行機制等,營建了別具一格的權(quán)力結(jié)構(gòu)和政治體系;最后,在重構(gòu)本土"社會資本"、開展"高臺教化"、完善地方"自治"以及實現(xiàn)政治整合等方面功能顯著。
[Abstract]:The national opera troupe is a social organization with a strong political nature. Previous studies focused on drama, anthropology and other fields, with a single perspective. Based on the new considerations of political science, it can be found that there are many differences between it and the Han opera troupe: first, the border zone of the Ming and Qing Empire period has set up a unique natural space, institutional space and historical period for its formation and development; secondly, The "internalization" of Southern Zhuan Confucianism and the ethnic minorities' adherence to the two processes of national culture are the same as the general political and cultural background of the formation and development of ethnic drama troupes; thirdly, the construction of the authoritative position of the opera masters, the distribution and operation mechanism of the power of the national opera troupes, etc. Finally, it has a remarkable function in reconstructing local "social capital", carrying out "high Taiwan education", perfecting local "autonomy" and realizing political integration.
【作者單位】： 廣西民族大學政治與公共管理學院;
【基金】：廣西高校人文社科重點研究基地廣西民族大學中國南方與東南亞民族研究中心資助“廣西三江侗戲師的歷史沿革與生存現(xiàn)狀”(項目編號:2016ZXS010) 2017年廣西研究生教育創(chuàng)新計劃項目“湘黔桂邊區(qū)侗族戲班組織及其政治功能研究”(項目編號:YCSW2017125) 廣西民族文化保護與傳承研究中心研究生創(chuàng)新項目“湘黔桂交界處侗戲的公共資源化及認同建構(gòu)研究”(項目編號:2017CXYB08)
【分類號】：J892.4
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本文編號：2111226