本文選題：姚劇 + 演唱風(fēng)格��； 參考：《天津音樂學(xué)院》2017年碩士論文

【摘要】：姚劇這個小地方的劇種原名“余姚灘簧”,主要流行于浙江余姚、慈溪等地,1950年后定為姚劇。它是用余姚方言來演唱,在當(dāng)?shù)貪h族民間歌舞曲藝“馬燈”、“旱船”、“采花藍(lán)”等的基礎(chǔ)上逐漸發(fā)展起來的。而余姚是元明時期南戲“四大聲腔”之一余姚腔的發(fā)源地。令人興奮的是,經(jīng)過改革和完善的姚劇經(jīng)國務(wù)院批準(zhǔn),在2008年6月正式列入了第二批國家級非物質(zhì)文化遺產(chǎn)名錄。本文從姚劇選段曲目的細(xì)節(jié)分析,能讓我們更加了解姚劇的舞臺藝術(shù)、演唱風(fēng)格、藝術(shù)特征等,為姚劇的人物塑造乃至對今后民族聲樂的人物塑造及學(xué)習(xí)提供了一些參考。
[Abstract]:Yao Opera, formerly known as Yuyao Beach Spring, was mainly popular in Yuyao and Cixi, Zhejiang Province, and was designated as Yao Opera after 1950. It was sung in Yuyao dialect and developed gradually on the basis of local Han folk singing and dancing art "Horse Lantern", "drought ship", "picking Blue Flower" and so on. Yuyao was the birthplace of Yuyao cavity, one of the four major vocals of Southern Opera in Yuan and Ming dynasties. What is exciting is that Yao Opera, which has been reformed and perfected by the State Council, was officially listed on the second batch of national intangible cultural heritage list in June 2008. By analyzing the details of the selected pieces of Yao Opera, this paper can make us understand more about the stage art, singing style and artistic characteristics of Yao Opera, and provide some references for the characterization of Yao Opera and even for the character shaping and study of national vocal music in the future.
【學(xué)位授予單位】：天津音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J617.5

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1 沈守良;王巨明;;解不開的姚劇情結(jié)[J];浙江檔案;2010年03期

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本文編號：2085844