本文關(guān)鍵詞：八十年代“戲劇觀大討論”與劇團(tuán)體制改革——以八十年代戲劇期刊為主，由筆耕文化傳播整理發(fā)布。

網(wǎng)友gd433近日為您收集整理了關(guān)于八十年代“戲劇觀大討論”和劇團(tuán)體制改革__--__以八十年代戲劇期刊為主的文檔，希望對(duì)您的工作和學(xué)習(xí)有所幫助。以下是文檔介紹：?jiǎn)挝淮a 10475學(xué)號(hào) 104753100452分類號(hào) I207.309碩士學(xué)位論文八十年代“戲劇觀大討論”與劇團(tuán)體制改革——以八十年代戲劇期刊為主學(xué)科、專業(yè): 中國(guó)現(xiàn)當(dāng)代文學(xué)研究方向: 中國(guó)當(dāng)代文學(xué)研究申請(qǐng)學(xué)位類別: 文學(xué)碩士申請(qǐng)人: 丁徽指導(dǎo)教師: 武新軍教授二〇一三年四月"Drama view of big discussion" and the reform of troupesystem in the 1980s--- emphasis upon drama of literary journals in the 1980sA Dissertation Submitted tothe Graduate School of Henan Universityin Partial Fulfillment of the Requirementsfor the Degree ofMaster of ArtsByDing HuiSupervisor: Prof. Wu XinjunApril,2013I摘要在對(duì)上世紀(jì)八十年代戲劇文學(xué)期刊的考察中,可以發(fā)現(xiàn)八十年代的“戲劇觀大討論”和劇團(tuán)體制改革是新時(shí)期戲劇文學(xué)的重要組成部分。八十年代的“戲劇觀大討論”是面對(duì)戲劇危機(jī)進(jìn)行的變革,促進(jìn)了探索戲劇的興起,使戲劇觀念得以重構(gòu)。而八十年代的劇團(tuán)體制改革,那種“摸著石頭過(guò)河”的探索,為后來(lái)的劇團(tuán)體制深入改革打開了先河。兩者都在當(dāng)時(shí)戲劇危機(jī)的背景下開展的,鑒于它們的重要性,筆者希望能對(duì)它們進(jìn)行一次梳理。通過(guò)梳理不僅可以有助于對(duì)被遺忘的歷史的呈現(xiàn),有助于豐富對(duì)于八十年代戲劇文學(xué)思潮的理解,而且可以對(duì)劇團(tuán)體制自身存在的一些問(wèn)題作出觀照。全文主體共分三個(gè)部分,第一部分對(duì)八十年代戲劇危機(jī)和“戲劇觀大討論”的緣起進(jìn)行概述。第二部對(duì)八十年代“戲劇觀大討論”的內(nèi)容和意義及影響進(jìn)行概述,討論的的內(nèi)容主要集中于對(duì)“戲劇觀”定義的不同理解,寫實(shí)、寫意及“假定性”、第“四堵墻”、觀眾問(wèn)題、話劇民族化與現(xiàn)代化等具體的問(wèn)題,這場(chǎng)討論為話劇多元共生的發(fā)展提供了可能和堅(jiān)實(shí)的基礎(chǔ)。第三部分對(duì)八十年代劇團(tuán)體制的來(lái)源與流變以及改革的狀況進(jìn)行梳理,并對(duì)劇團(tuán)體制改革并未能使戲劇完全走出困境的原因進(jìn)行文化的反思和展望。關(guān)鍵詞:戲劇危機(jī),戲劇觀大討論,劇團(tuán)體制改革IIIABSTRACTIn the study of drama of literary journals in the 1980s, we can find that "drama view of big discussion"and the reform of troupe system in the 1980s are important parts of the drama in the new period literature.The drama view of big discussion in the 1980s changed when the drama was facing dramatic crisis, itpromoted the rise of exploring drama and reconstructed drama concept, And the reform of troupe system inthe 1980s that the sort of "touch stone across the river" to explore, opened up new areas for later in-depthreform of troupe system . Both of them carried out under the background of drama crisis at the time, theauthor hopes b them in view of their importance. By analyzing it not only can help us to present onthe forgotten history, contribute to understanding of the eighty s drama literature ideological trend, and canown existence view on some problems of troupe system.The full text main body is divided into three parts, the first part of the text is about overviews of thedrama in the eighty s crisis and the origin of "drama view of big discussion". The second part of the textis summarizing the content and the significance and effect of "drama view of big discussion" in the1980s ,the discussion mainly focused on the content of the different understanding of "drama" what wasdefined, the realistic and freehand brushwork in traditional Chinese painting and the "assumption", the"fourth wall", the audience questions ,and specific problems, such as drama nationalization andmodernization, the discussion offers the potential for the development of drama pluralistic symbiosis andsolid foundation. The third part of the text is bing the sources and the rheological of troupesystem in the 1980s and the condition of reform, and the reform of troupe system was failed to make pletely go out of the trouble, we can find reasons for cultural reflection and outlook.Key words: drama crisis, the drama view of big discussion, the reform

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  本文關(guān)鍵詞：八十年代“戲劇觀大討論”與劇團(tuán)體制改革——以八十年代戲劇期刊為主，由筆耕文化傳播整理發(fā)布。