本文選題：古代戲曲理論體系 + 戲曲史述�。� 參考：《戲劇藝術(shù)》2017年04期

【摘要】：在"曲學(xué)"大行其道之時(shí),戲曲史述被簡化為曲史述;伴隨戲曲作為敘事文學(xué)樣式和綜合藝術(shù)樣式這兩種觀念的漸次清晰,"敘事理論體系"和"劇學(xué)體系"逐步形成,戲曲題材沿革和歷代演劇更迭的梳理開始出現(xiàn)。同時(shí),作為舞臺藝術(shù)之戲曲的部分要素的流變也獲得專門關(guān)注。古代戲曲理論中的戲曲史述具有零散駁雜、不成體系和陳陳相因、粗線勾勒的學(xué)術(shù)特征。古人戲曲史述歷史對象的多樣性有助于全面認(rèn)識戲曲的本體內(nèi)涵,而單一維度史述為后世戲曲史研究的縱深拓展提供了方向性指導(dǎo)。此外,歷代舞臺演劇更迭的勾勒對現(xiàn)代形態(tài)戲曲史著的述史思路設(shè)計(jì)也具有啟發(fā)意義。
[Abstract]:When "qu studies" became popular, the history of opera was simplified into historical narration, and with the gradual clarity of the two concepts of "narrative literature style" and "comprehensive artistic style", the "narrative theory system" and "drama theory system" gradually formed. The evolution of opera theme and the combing of successive operas began to appear. At the same time, as a part of the stage art of the evolution of opera also received special attention. The history of opera in the ancient opera theory has the academic characteristics of scattered and complicated, not systematic and Chen Xiangyin, rough line outline. The diversity of the historical objects of the ancient opera history is helpful to fully understand the Noumenon connotation of the opera, while the single dimension of historical narration provides a directional guidance for the further development of the study of the history of opera in later generations. In addition, the outline of stage operas in the past dynasties is also instructive to the design of the history of modern forms of drama.
【作者單位】： 上海戲劇學(xué)院戲劇與影視學(xué)博士后流動(dòng)站;
【分類號】：J809.2

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