本文選題：趙氏孤兒 + 置換變形�。� 參考：《同濟(jì)大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版)》2015年04期

【摘要】：《趙氏孤兒》是一個(gè)值得研究的現(xiàn)象。如何理解"趙氏孤兒"現(xiàn)象,尤其是在上演的不同版本中,采用了不同的改編和解構(gòu)策略,這種改編和解構(gòu)又意味著什么?是更值得關(guān)注的問(wèn)題�！囤w氏孤兒》從歷史到故事傳說(shuō)的演繹過(guò)程,從戲曲到話劇的改編過(guò)程,是一種母題的置換變形;《趙氏孤兒》表現(xiàn)的是復(fù)仇的神話母題,但是在話劇改編中消解了復(fù)仇的問(wèn)題;《趙氏孤兒》的舞臺(tái)空間,是一個(gè)不斷儀式化的過(guò)程。
[Abstract]:Zhao's Orphan is a phenomenon worth studying. How to understand the phenomenon of "Zhao's Orphan", especially in the different versions of the stage, adopted different adaptation and deconstruction strategy, and what does this adaptation and deconstruction mean? "Orphan Zhao" is a more noticeable issue. The process of interpretation from history to story and legend, from drama to drama adaptation, is a transformation of the motif; "Zhao's Orphan" shows the mythological motif of revenge. However, in the adaptation of the drama, the issue of revenge was dispelled, and the stage space of Orphan Zhao was a process of continuous ritualization.
【作者單位】： 浙江大學(xué)傳媒與國(guó)際文化學(xué)院;
【基金】：浙江大學(xué)人文學(xué)部中央基本業(yè)務(wù)研究課題“中國(guó)形象:《趙氏孤兒》的跨文化研究”的成果之一
【分類號(hào)】：J805

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