本文選題：蒙特威爾第 + 《奧菲歐》　； 參考：《南京藝術(shù)學(xué)院》2010年碩士論文

【摘要】： 歌劇《奧菲歐》是意大利著名作曲家克勞迪奧·蒙特威爾第所作,是其歌劇作品中的第一部。被史學(xué)界推崇為第一部真正意義上的歌劇作品,也被譽(yù)為17世紀(jì)最優(yōu)秀的歌劇作品之一。 歌劇《奧菲歐》是一部初步確立了戲劇性、人物性格特征、主導(dǎo)動(dòng)機(jī)使用、管弦樂隊(duì)烘托等創(chuàng)作手法,并具有強(qiáng)烈戲劇性色彩的歌劇作品。它的出現(xiàn)奠定意大利正歌劇創(chuàng)作的基本模式。作曲家所特有的新觀念和新型創(chuàng)作手法,源自于主觀思維方式、思想觀念和當(dāng)時(shí)社會(huì)變革的現(xiàn)實(shí)。具體表現(xiàn)在:1、對(duì)古希臘美學(xué)柏拉圖美學(xué)思想的繼承和發(fā)展;2、接受文藝復(fù)興運(yùn)動(dòng)“以人為本”思想所帶來(lái)的現(xiàn)實(shí)主張;3、以自身的思想觀念和審美追求為起點(diǎn),把“第一常規(guī)”和“第二常規(guī)”的理念有機(jī)地融合在一起,并轉(zhuǎn)化為歌劇創(chuàng)作的具體實(shí)踐方式——構(gòu)成戲劇性張力結(jié)構(gòu);4、將牧歌創(chuàng)作所獨(dú)具的特征與風(fēng)格運(yùn)用歌劇創(chuàng)作之中,形成真正意義上的歌劇詠嘆調(diào),并初步確立了歌劇人物性格與音樂音調(diào)的關(guān)系——主題動(dòng)機(jī);5、把“以人為本”、表現(xiàn)人的情感以及音樂為戲劇性服務(wù)的觀念和追求,以管弦樂隊(duì)新的組合方式與功能設(shè)計(jì),在創(chuàng)作實(shí)踐中加以體現(xiàn)。 蒙特威爾第的歌劇創(chuàng)作不僅帶來(lái)新的變革與風(fēng)格特征,而且使意大利歌劇創(chuàng)作向戲劇性、矛盾性、人物個(gè)性、劇情延伸等方向發(fā)展,為意大利正歌劇的產(chǎn)生、定型和發(fā)展奠定了堅(jiān)實(shí)基礎(chǔ)。同時(shí),也為當(dāng)時(shí)社會(huì)帶來(lái)一股清新而又富于人的情感起伏變化的真情體驗(yàn)過程。其影響力和藝術(shù)成就不僅表現(xiàn)在當(dāng)時(shí)所處的環(huán)境之中,而且延伸至整個(gè)18世紀(jì)。歷史地看,蒙特威爾第的歌劇《奧菲歐》所具有的深厚歷史價(jià)值和意義,更加確立了他作為早期歌劇創(chuàng)作者所應(yīng)有的地位、價(jià)值和意義。
[Abstract]:Opera Ofio is the first of the famous Italian composer Claudio Monteverdi. It is regarded as the first real opera works by the historiography, and is also regarded as one of the best opera works in the 17 th century. Opera "Ofio" is an opera with dramatic, character characteristics, dominant motivation, orchestra contrast and other creative techniques, and has a strong dramatic color. Its appearance laid the foundation of Italian opera creation. The unique new ideas and new creative techniques of composers are derived from subjective thinking mode, ideology and the reality of social change at that time. It is embodied in: 1, inheriting and developing Plato's aesthetic thought of ancient Greek aesthetics, accepting the realistic proposition brought about by the "people-oriented" thought of the Renaissance, and starting with his own ideology and aesthetic pursuit. The concepts of "first routine" and "second routine" are organically integrated and transformed into the concrete practical mode of opera creation, which constitutes a dramatic tension structure, and makes use of the unique characteristics and styles of pastoral creation in opera creation. The real meaning of opera arias is formed, and the relationship between the character of opera characters and the tone of music is preliminarily established-the motive of theme is 5, the idea and pursuit of "putting people first", expressing human emotion and music serving for drama. The new composition and function design of the orchestra are embodied in the creative practice. Monteverdi's opera creation not only brought about new changes and style features, but also led to the development of Italian opera creation in the direction of drama, contradiction, character personality, plot extension, and so on, which contributed to the production of Italian opera. The finalization and development laid a solid foundation. At the same time, it also brought to the society a fresh and full of human emotional ups and downs of the real experience process. Its influence and artistic achievements were not only reflected in the environment at that time, but also extended throughout the 18 th century. From the historical point of view, the profound historical value and significance of Monteverdi's opera "Ofio" has established his position, value and significance as an early opera creator.
【學(xué)位授予單位】：南京藝術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類號(hào)】：J832

【引證文獻(xiàn)】

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