本文選題：文昌宮 + 戲雕　； 參考：《當(dāng)代戲劇》2017年04期

【摘要】：文昌宮坐東北向西南,中軸線(xiàn)自西南向東北分別為戲樓、正殿,左右為廂房,中間為看壩,呈獨(dú)立封閉的演出場(chǎng)所。戲樓前照面板刻有九幅戲雕,雕刻技術(shù)精湛,內(nèi)容豐富,具有極高的戲曲學(xué)價(jià)值。其戲雕內(nèi)容反映了合川地區(qū)清至民國(guó)時(shí)期演出劇種多樣、劇目主題多為忠君愛(ài)國(guó)和舞臺(tái)畫(huà)面生動(dòng)逼真的真實(shí)場(chǎng)景。
[Abstract]:Wenchang Palace sits northeast to southwest, the axis from southwest to northeast for the opera building, the main hall, left and right for the chamber, in the middle for the dam, an independent closed performance place. In front of the opera building, there are nine sculptures engraved on the front panel, with exquisite engraving techniques and rich contents. The content of the opera sculpture reflects the variety of performances in the period from Qing Dynasty to the Republic of China in Hechuan region. The themes of the plays are mostly loyal to the emperor and the real scene of vivid and lifelike stage screen.
【作者單位】： 山西師范大學(xué)戲劇與影視學(xué)院;
【分類(lèi)號(hào)】：J805
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本文編號(hào)：1805433