本文選題：腳 + 色　； 參考：《戲劇藝術(shù)》2017年04期

【摘要】：腳色一詞最早在唐代就已經(jīng)出現(xiàn)了,最早的腳色是指某種具體的職司,后用于指記載官員過往職位信息的檔案,與官員考核密切相關(guān)。一直到明代中期以前,腳色都是用來指官員履歷或記載官員個(gè)人信息的文書。明代中后期以后,民間大量使用腳色一詞表示普通民眾的身份或底細(xì)。宋代以來的以色或以腳稱演員在明代中后期終于合流,作為戲曲術(shù)語的腳色一詞由此出現(xiàn)。在以上兩種背景之下,原來用于表示官員身份、職位信息的腳色則被履歷、根腳取而代之。
[Abstract]:The term "footwork" appeared in the Tang Dynasty. The earliest character refers to a specific function, which is later used to refer to the record of the official's past position information, which is closely related to the official assessment. Until the mid-Ming Dynasty, the role was used to refer to the official curriculum vitae or documents recording official personal information. After the middle and late Ming Dynasty, folk used the term "role" to indicate the identity or details of ordinary people. Since the Song Dynasty, actors by color or by foot finally converged in the middle and late Ming Dynasty, and the term "character" appeared as the term of opera. In the above two contexts, used to represent the official identity, position information is replaced by resume, root foot.
【作者單位】： 南京大學(xué)文學(xué)院;
【分類號】：J809.2
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本文編號：1804126