本文選題：李淑君　切入點(diǎn)：唱腔藝術(shù)　出處：《中國藝術(shù)研究院》2016年碩士論文

【摘要】：昆曲是一門擁有復(fù)雜結(jié)構(gòu)體系的藝術(shù),其中涉及到昆曲曲牌、板式、腔格、調(diào)式、曲調(diào)等等。昆曲誕生于江蘇昆山一帶,此后逐步向北方傳播擴(kuò)展,在擴(kuò)展的過程中,形成了有別于南方昆曲的北方昆曲。由于南北方地域文化的差異,導(dǎo)致北方昆曲與南方昆曲有著諸多不同。北方昆曲做為昆曲的一大重要分支,其形成與發(fā)展經(jīng)歷了較復(fù)雜的過程,最終形成昆弋風(fēng)格,其中少了南方昆曲的婉約與柔美,多了豪放與遒勁。在北方昆曲的發(fā)展歷程中涌現(xiàn)出諸多杰出的昆曲藝術(shù)家,如有著“昆曲大王”之美譽(yù)的韓世昌先生及親傳弟子李淑君先生、秦肖玉先生、再傳弟子劉靜先生等等,他們以畢生的精力奉獻(xiàn)于北方昆曲,極大地推動(dòng)了北方昆曲這一藝術(shù)流脈的發(fā)展。李淑君先生即是其中卓有成就且極具代表性的一位,堪稱其時(shí)北方昆曲的一面旗幟。有著“北昆第一旦”之美譽(yù)的李淑君先生,有得天獨(dú)厚的嗓音條件,其唱腔優(yōu)美、吐字清晰。從歌唱演員轉(zhuǎn)入昆曲旦角演員后,李淑君師從韓世昌先生,將昆曲藝術(shù)精打細(xì)磨,最終形成獨(dú)具自身風(fēng)格特色的唱腔藝術(shù)。本文將從李淑君先生所演繹的傳統(tǒng)戲與現(xiàn)代戲中探究其唱腔藝術(shù)特色,以其經(jīng)典劇目《昭君出塞》、《游園驚夢》、《千里送京娘》、《李慧娘》為例初步探討其唱腔藝術(shù)與其他姊妹藝術(shù)之間千絲萬縷的聯(lián)系。通過對李淑君先生藝術(shù)生涯的整理及唱腔藝術(shù)的探析,總結(jié)李淑君先生昆曲表演藝術(shù)的獨(dú)特風(fēng)格,將其不可重現(xiàn)的表演藝術(shù)以文本的形式再次呈現(xiàn),以期為昆曲的傳承工作盡微薄之力。
[Abstract]:Kunqu Opera is an art with complex structure, which involves Kunqu qu, board, cavity, tune, etc. Kunqu Opera was born in Kunshan, Jiangsu Province, and then spread to the north gradually, and in the process of expansion, Kunqu Opera gradually spread to the north, and in the process of its expansion, Kunqu Opera was born in Kunshan, Jiangsu Province. Different from the southern Kunqu Opera, the Northern Kunqu Opera is different from the Southern Kunqu Opera. As an important branch of the Kunqu Opera, the Northern Kunqu Opera is different from the Southern Kunqu Opera because of the cultural differences between the North and the South. Its formation and development experienced a more complex process, and finally formed Kun's style, in which the Southern Kunqu Opera was less graceful and soft, more bold and powerful. Many outstanding Kunqu artists emerged in the course of the development of the Northern Kunqu Opera, and many outstanding Kunqu artists emerged in the course of the development of the Northern Kunqu Opera. For example, Mr. Han Shichang, Mr. Li Shujun, Mr. Qin Xiaoyu, Mr. Liu Jing, disciples with a reputation as "King of Kunqu Opera," and so on, devoted their whole life to Kunqu Opera in the north. It has greatly promoted the development of the art stream of Northern Kunqu Opera. Mr. Li Shu-jun was one of the most accomplished and representative of them, and he was a banner of the Northern Kunqu Opera at that time. Having unique voice conditions, with beautiful singing and clear spelling. After moving from singer to actor of Kunqu Opera, Li Shujun studied with Mr. Han Shichang and refined the art of Kunqu Opera. This article will explore the characteristics of singing art from the traditional and modern drama that Mr. Li Shujun deduces. Take his classic repertoire Zhaojun out of the plug, the Dream of the Garden, the Qianli to Beijing Niang, and Li HuiNiang as examples to discuss the inextricable relationship between his singing art and other sister arts. Through the arrangement of Li Shujun's artistic career. And the art of singing, Summing up the unique style of Kunqu Opera performance art of Mr. Li Shujun, presenting its unrepeatable performing art in the form of text again, in order to contribute to the inheritance of Kunqu Opera.
【學(xué)位授予單位】：中國藝術(shù)研究院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2016
【分類號(hào)】：J82

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