本文選題：內(nèi)蒙古西路二人臺(tái)　切入點(diǎn)：語(yǔ)言　出處：《內(nèi)蒙古師范大學(xué)》2010年碩士論文

【摘要】： 二人臺(tái)是融民歌、民間歌舞、說(shuō)唱、戲曲、器樂(lè)、雜技等多種藝術(shù)形式于一身的綜合性民間演藝品種。它廣泛流傳于內(nèi)蒙古自治區(qū)西部、山西、陜西以及河北省的北部地區(qū)。二人臺(tái)以其濃厚地方特色和鄉(xiāng)土氣息深受這一地區(qū)人民的喜愛(ài)。2006年6月,二人臺(tái)入選國(guó)務(wù)院公布的第一批國(guó)家級(jí)“非物質(zhì)文化遺產(chǎn)”名錄(序號(hào)為217)。盡管如此,二人臺(tái)仍面臨著劇本老化、新人匱乏的困境,面臨著生存危機(jī)。 本文借鑒了聲樂(lè)理論、民族音樂(lè)學(xué)、社會(huì)學(xué)和人類學(xué)的相關(guān)理論與研究方法對(duì)內(nèi)蒙古西路二人臺(tái)(為簡(jiǎn)潔起見(jiàn)以下出現(xiàn)的內(nèi)蒙古西路二人臺(tái)均稱二人臺(tái))演唱方法的形成從語(yǔ)言、民族、地域文化層面給予研究、分析、總結(jié)。全文包括四個(gè)部分: 第一章:首先對(duì)二人臺(tái)形成的兩種源流論予以介紹并闡述了本人對(duì)二人臺(tái)源流論的見(jiàn)解。接著概述二人臺(tái)形成的歷史淵源、演變過(guò)程并總結(jié)歸納了其藝術(shù)價(jià)值。 第二章:從語(yǔ)言、不同地域與不同民族民間的音樂(lè)文化這三個(gè)方面對(duì)內(nèi)蒙古西路二人臺(tái)演唱特點(diǎn)形成的影響加以論述。 第三章:通過(guò)以上的研究分析,這一部分以角色劃分的方式對(duì)二人臺(tái)演唱特點(diǎn)予以論述。這樣的研究在過(guò)去的二人臺(tái)的研究資料中筆者還不曾見(jiàn)到有人涉及。演唱方法的論述包括呼吸、發(fā)聲、共鳴和管腔運(yùn)用與喉器安放。筆者希望通過(guò)這種新的研究視角為二人臺(tái)工作者更好的繼承發(fā)揚(yáng)民族民間文化藝術(shù)提供參考。 第四章:二人臺(tái)的傳承與保護(hù),本章通過(guò)內(nèi)蒙古西部藝校的田野調(diào)查報(bào)告對(duì)二人臺(tái)的學(xué)校教育現(xiàn)狀及社會(huì)生存現(xiàn)狀予以關(guān)注、分析。 結(jié)語(yǔ):對(duì)二人臺(tái)的現(xiàn)狀與展望進(jìn)行簡(jiǎn)單闡述。
[Abstract]:It is a comprehensive variety of folk performing arts, including folk songs, folk songs and dances, rap, opera, instrumental music, acrobatics, etc. It is widely spread in the western part of Inner Mongolia Autonomous region, Shanxi Province, Shaanxi and the northern region of Hebei Province. The two people are deeply loved by the people of this region for their strong local characteristics and local flavor. June 2006, They were selected by the State Council for the first batch of state-level "intangible cultural heritage" lists (serial number 217X). However, they still face the dilemma of script aging, lack of new people and survival crisis. This paper draws lessons from the theory of vocal music, ethomusicology, Theories and methods of Sociology and Anthropology the formation of the singing method of Xilu two-person station in Inner Mongolia for the sake of brevity is studied from the aspects of language, nationality, region and culture. The thesis consists of four parts:. Chapter one: firstly, the author introduces the two theories of source and stream formed by Errentai and expounds his opinions on the theory of source and flow of Errentai, and then summarizes the historical origin, evolution process and artistic value of the formation of Errentai. The second chapter: from the language, different regions and different ethnic folk music culture these three aspects of Inner Mongolia Xilu two singing characteristics of the formation of the discussion. Chapter III: through the above research and analysis, This part discusses the singing characteristics of two people in the way of role division. This kind of research has not seen anyone involved in the past research materials of two people station. The exposition of singing methods includes breathing, vocalizing, and so on. The author hopes to provide a reference for the workers to inherit and carry forward the folk culture and art through this new research perspective. Chapter four: the inheritance and protection of the two-person station. This chapter pays close attention to the present situation of the school education and social survival of Errentai through the field investigation report of the Western Inner Mongolia Art School. Conclusion: the current situation and prospects of the two-person station are briefly described.
【學(xué)位授予單位】：內(nèi)蒙古師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類號(hào)】：J825

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 劉金麗;;論“非物質(zhì)文化遺產(chǎn)”及其保護(hù)與傳承[J];山東教育學(xué)院學(xué)報(bào);2006年01期

相關(guān)碩士學(xué)位論文 前3條

1 黃淑梅;鄂爾多斯短調(diào)民歌及其演唱方法[D];中央民族大學(xué);2003年

2 姜曉芳;論內(nèi)蒙古西路二人臺(tái)[D];內(nèi)蒙古師范大學(xué);2004年

3 付超;包頭二人臺(tái)唱腔音樂(lè)及其歌唱特征[D];中央民族大學(xué);2007年

，

本文編號(hào)：1675720