本文選題：辰州儺戲　切入點：宗教祭祀　出處：《中南民族大學(xué)》2012年碩士論文

【摘要】：辰州儺戲，流傳于五溪一帶，它是由沅陵辰州一帶的土老師們沖儺還愿的祭祀性歌舞發(fā)展而成，也是以毛古斯舞為代表的湘西原始形戲劇，在向現(xiàn)代形戲劇發(fā)展的過程當(dāng)中，有幸保存了其自身獨特的原始戲劇形態(tài)。儺戲演出中大多穿插著儺祭活動，在儺祭中，有的法事就是戲，，情節(jié)簡單，表演粗糙。本文從民俗學(xué)角度，運用田野調(diào)查等方法對辰州儺戲的起源，傳承環(huán)境，傳承價值與傳承所面臨的危機(jī)及應(yīng)對措施做了系統(tǒng)的探討。 全文共分五個部分： 第一部分（緒論），概述選題緣由，研究狀況、研究意義和研究方法。 第二部分（第一章）探討辰州儺戲的起源，分類，表演特征及傳承環(huán)境和譜系。結(jié)合當(dāng)?shù)氐娜宋臍v史和生態(tài)背景，介紹辰州儺戲在當(dāng)?shù)氐膫鞒星闆r和影響。 第三部分（第二、三章）第二章將辰州儺戲置于傳統(tǒng)的宗教祭祀中，探討辰州儺戲和傳統(tǒng)的宗教祭祀活動之間的傳承形式和傳承關(guān)系。第三章解讀辰州儺戲的傳承方式在人生禮俗中給當(dāng)?shù)氐娜藥淼挠绊懞桶l(fā)展。 第四部分（第四、五章），第四章主要探討辰州儺戲的傳承價值。第五章探討的是辰州儺戲的傳承所面臨的危機(jī)及其應(yīng)對措施與建議。 第五部分，總結(jié)辰州儺戲的傳承給辰州地區(qū)所帶來的社會價值和意義。
[Abstract]:The Chenzhou Nuo Opera, which is spread in the area of Wuxi, is developed from the sacrificial songs and dances of the teachers of the Yuanling area of Chenzhou to return their vows to Nuo. It is also the primitive form of Xiangxi drama represented by Maogusi Dance, which is in the process of developing toward the modern style drama. Fortunately, it has preserved its own unique primitive theatrical form. Nuo opera performances are mostly interspersed with Nuo festival activities. In Nuo festival, some legal matters are drama, the plot is simple, and the performance is rough. This article is from the perspective of folklore. This paper makes a systematic discussion on the origin, heritage environment, inheritance value, crisis and countermeasures of Chenzhou Nuo Opera by means of field investigation. The full text is divided into five parts:. The first part (introduction) summarizes the reason, research status, research significance and research methods. The second part (chapter one) discusses the origin, classification, performance characteristics, heritage environment and genealogy of the Nuo opera in Chenzhou. Combining with the local humanistic history and ecological background, it introduces the inheritance and influence of the Nuo opera in Chenzhou. In the third part (chapter two and three), the second chapter puts the Nuo opera of Chenzhou in the traditional religious sacrifice. The third chapter explains the influence and development of Chenzhou Nuo opera's inheritance way to local people in the life etiquette and custom. The fourth part (the fourth, five chapters, the fourth chapter mainly discusses the Chenzhou Nuo opera inheritance value, the fifth chapter discusses the Chenzhou Nuo opera inheritance facing the crisis and countermeasures and suggestions. The fifth part summarizes the social value and significance of the inheritance of Chenzhou Nuo Opera.
【學(xué)位授予單位】：中南民族大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：J825

【引證文獻(xiàn)】

相關(guān)期刊論文 前1條

1 李玉華;;欠發(fā)達(dá)地區(qū)非物質(zhì)文化遺產(chǎn)可持續(xù)開發(fā)研究——以辰州儺戲為例[J];懷化學(xué)院學(xué)報;2013年08期

本文編號：1661828