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河洛大鼓書目研究

發(fā)布時(shí)間:2018-03-17 20:54

  本文選題:河洛大鼓 切入點(diǎn):藝術(shù)風(fēng)貌 出處:《河南大學(xué)》2012年碩士論文 論文類型:學(xué)位論文


【摘要】:河洛大鼓是二十世紀(jì)在河南豫西地區(qū)產(chǎn)生并發(fā)展傳播的鼓書類曲藝形式。其演出形式為一人或兩人站立表演,以擊鼓和打板配合說唱,以墜胡、三弦、二胡、琵琶等樂器伴奏。河洛大鼓唱腔質(zhì)樸流暢,旋律簡(jiǎn)明活潑,內(nèi)容生動(dòng)多樣,,十分符合當(dāng)?shù)厝嗣裼哪、質(zhì)樸、樂觀的性格,深受當(dāng)?shù)厝罕姷南矏。本文以河洛大鼓的演唱文本——即河洛大鼓的書目為研究?duì)象,梳理論證河洛大鼓的源起和發(fā)展,歸納總結(jié)河洛大鼓書目的藝術(shù)風(fēng)貌,分析探究河洛大鼓書目的文本分類,以期挖掘河洛大鼓書目題材和內(nèi)容的多樣性、豐富性。 全文共分緒論、正文、結(jié)語三部分。 緒論部分回顧學(xué)界對(duì)河洛大鼓的研究狀況并做簡(jiǎn)要梳理,陳述本文的研究?jī)r(jià)值及創(chuàng)新之處。 正文分為三章。 第一章:河洛大鼓的源起與發(fā)展。追溯河洛大鼓的源起和發(fā)展,介紹河洛大鼓形成的人文環(huán)境,河洛地區(qū)的地理優(yōu)勢(shì)和文化積淀是產(chǎn)生河洛大鼓的外在因素。 第二章:河洛大鼓的音樂特色及藝術(shù)風(fēng)貌。河洛大鼓是洛陽琴書和南陽大鼓相結(jié)合的產(chǎn)物,在產(chǎn)生之初和陸續(xù)發(fā)展的過程中,都努力吸收其他藝術(shù)形式的精華,并逐漸形成自己的藝術(shù)風(fēng)貌。不僅在音樂唱腔上納百家之長(zhǎng),在書目上也具有包羅萬象的特點(diǎn);趾甏髿獾年杽傊篮妥鹬厣畹淖匀恢朗呛勇宕蠊臅康乃囆g(shù)特色。崇尚道德倫理的懲惡和揚(yáng)善、包容萬象的吸納力和輻射力則是河洛大鼓書目的文化內(nèi)涵。 第三章:河洛大鼓書目的文本分析。河洛大鼓的書目可分為短篇書帽、中篇書段和長(zhǎng)篇大書三種類型。短篇書帽分為墊場(chǎng)書帽和開板書帽。中篇書段按內(nèi)容可分為歷史故事和民間傳說、勸家書、還愿書。長(zhǎng)篇大書的情節(jié)具有傳奇性、連貫性和曲折性的特點(diǎn),提示法、緊張沖突法和虛設(shè)法則是長(zhǎng)篇大書設(shè)置懸念的三種方法。 結(jié)語部分簡(jiǎn)述河洛大鼓的生存現(xiàn)狀并對(duì)其未來的發(fā)展提出建議。
[Abstract]:In 20th century, he Luo Dagu was produced and spread in the western part of Henan Province. Its performance was performed by one or two people standing, singing with drum and board, falling Hu, Sanxian and Erhu, Accompaniment of pipa and other musical instruments. He Luo Drum sings plainly and fluently, the melody is simple and lively, and the content is vivid and diverse, which is very consistent with the humor, simplicity and optimism of the local people. Deeply loved by the local people, this paper takes the singing text of the Holo Dagu, that is, the bibliography of the Holo Dagu, as the research object, combs and demonstrates the origin and development of the Holo Dagu, and sums up the artistic features of the Horo Dagu Bibliography. This paper analyzes and probes into the text classification of the Heluo Dagu Bibliography in order to excavate the diversity and richness of the subject matter and content of the Horo Dagu Bibliography. The full text is divided into three parts: introduction, text and conclusion. In the introduction part, the author reviews the research status of Heluo Dagu in academic circles and briefly combs it, and states the research value and innovation of this paper. The text is divided into three chapters. Chapter one: the origin and development of Holo Dagu. Tracing back to the origin and development of Holo Dagu, introducing the humanistic environment formed by Heluo Dagu, the geographical advantage and cultural accumulation of Heluo area are the external factors that produce Holo Dagu. The second chapter: the musical features and artistic features of the Holo Dagu. The Hollow Drum is the product of the combination of Luoyang Qin books and Nanyang Drum. At the beginning of its emergence and in the process of its continuous development, it has made great efforts to absorb the essence of other artistic forms. And gradually formed their own artistic style. Not only in music singing, The beauty of masculinity and the beauty of respecting the nature of life are the artistic features of the Bibliography of Hollow, which advocates moral and ethical punishment of evil and exalts the good. The absorbing power and radiating power of tolerant Vientiane is the cultural connotation of Heluo Dagu Bibliography. Chapter three: text Analysis of the Bibliography of Holo Dagu. The bibliography of Holo Dagu can be divided into short book caps, The short book cap is divided into a pad cap and a blackboard cap. The middle book paragraph can be divided into historical stories and folklore according to the content, persuading family letters, vows. The plot of the long book is legendary. The characteristics of coherence and tortuosity, hint method, tension conflict law and fictional rule are three methods of setting suspense in long books. The conclusion part briefly describes the survival status of Heluo Dagu and puts forward some suggestions for its future development.
【學(xué)位授予單位】:河南大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2012
【分類號(hào)】:J826

【參考文獻(xiàn)】

相關(guān)期刊論文 前3條

1 馬丹丹;;流動(dòng)的藝人——豫西社會(huì)與河洛大鼓[J];文化遺產(chǎn);2011年01期

2 馬春蓮;“河洛大鼓”傳承方式初探[J];中國(guó)音樂學(xué);2004年03期

3 馬春蓮;林達(dá);;河洛大鼓藝人社會(huì)行為的初步分析[J];中國(guó)音樂學(xué);2007年03期



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