本文選題：順治朝　切入點：演劇政策　出處：《戲劇藝術(shù)》2017年01期 　論文類型：期刊論文

【摘要】：順治朝乃明清易代特殊時期,此一時代的演劇政策將直接影響康乾及以后諸朝演劇的發(fā)展,對其展開研究有益于對清代演劇史變遷的整體把握。從清軍入關(guān)以后諸多史實材料出發(fā),可發(fā)現(xiàn)順治朝演劇政策存在明顯變化,這一變化以順治八年(1651)親政為界。多爾袞當政時期,并無完整有序的演劇政策,順治親政后才逐漸加強對演劇的管理。這一轉(zhuǎn)變有著多方面的原因,演劇本身具備的時代特點是轉(zhuǎn)變的直接原因,而滿漢禮樂風俗地位的轉(zhuǎn)變則是此時演劇政策變化的根本原因。
[Abstract]:Shunzhi Dynasty was the special period of the Ming and Qing dynasties. The drama policy of this period would directly affect the development of Kang and Qian dynasties and the later dynasties. The research on it is beneficial to the overall understanding of the changes in the history of the Qing Dynasty drama. From the many historical materials after the Qing army entered the customs, it can be found that there are obvious changes in the policy of Shunzhi Dynasty drama. This change was defined by the family administration in Shunzhi eight years (1651). There was no complete and orderly drama policy during the period of Doulgun's administration, and the management of the drama was gradually strengthened after the administration of the family. There were many reasons for this change. The characteristics of the stage itself are the direct reason of the change, and the change of the custom of Manchu and Han Dynasty is the fundamental reason of the change of the drama policy at this time.
【作者單位】： 華東師范大學(xué)中文系;
【分類號】：J809.2

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相關(guān)期刊論文 前1條

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【共引文獻】

相關(guān)期刊論文 前3條

1 劉薇;;從娛樂到禮樂:順治朝演劇政策研究[J];戲劇藝術(shù);2017年01期

2 吳丹;;清代宮廷音樂管理體制的時代特征及其近代轉(zhuǎn)型[J];音樂時空;2014年19期

3 唐海宏;;清初宮廷戲劇演出機構(gòu)考述[J];文化藝術(shù)研究;2014年03期

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本文編號：1618837